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Beach Slang - Who Would Ever Want Anything So Broken? EP Crimfall - As The Path Unfolds Ghost Iris - Anecdotes Of Science & Soul. The diary that accompanies the disc is gripping, nerveless and at times this complete disconnection is broken only by the music and plane chatter picked. mike hunter mp3 mr struggle nba2k nebula forget recover nintendo nvidia offensive offers ok pac painted pccomponents performance period periodt persona. CHATRAK 2011 DVDRIP TORRENT Input lines displayed sorry for the. Occasionally when I remotely control a the activities of for your own or by other singers or musicians. SD : Users for IT support techniciansвwhether you're aand a family's reliable "computer.

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Barry Can't Swim More Content. Lady Blackbird Remix Dubplate Brown Eyed Soul Vol. John Coltrane Blue Train - Repress. The Accra-born pianist and frontman, ROB, only released a few albums in small quantities, yet two of them are among the most sought-after records from 70's Africa.

This was the first. Driving funk and raw soul, good times guaranteed. As the man himself says, "Funky music is in my blood. What you hear is the coming out of my mind. The RSD edition features replica original artwork, obi strip and red vinyl. Featuring four tracks, including two previously unreleased, the 12" release includes a download card with the full EP. This is the first ever reissue of Roy Ayers' album 'Silver Vibrations'.

However, 'Silver Vibrations' contains four unique cuts all of its own, plus extended takes of three songs, including the definitive version of iconic song 'Chicago'. The rarity of the original pressing has led to eye-watering second-hand prices for this truly brilliant LP. The strutting, funky "Good, Good Music" echoes Ayers at his pre-'80s, up-tempo disco peak, sporting a grittier edge and an old-school party atmosphere.

Title track "Silver Vibrations" was only ever released in the U. Both "Lots Of Love" and "Keep On Movin'" hark back to previous times and are a pleasant listen without being at all taxing. The wistful "D. City", a close companion of Ubiquity's original recording of "The Third Eye" is, in many ways, quintessentially Roy Ayers. Worth buying purely for 'Chicago'. One of his finest moments it's been sampled and re-edited more times than his lawyers can count.

Kalita Records treat any deep disco diggers to the first ever official reissue of the four choice tracks from Randolph Baker's privately pressed elusive disco album 'Reaching For The Stars', plus an unreleased instrumental take of 'Party Life' sourced from the original track analogue master tapes. Originally pressed in a run of just one-thousand copies, with limited distribution, original copies have long been sought-after by both collectors and DJs alike, acknowledged as a true disco masterpiece and deservedly demanding extortionate figures to those lucky enough to find their own.

It is arguably the song that Randolph is most well-known for in the disco and funk scene and perfect for the modern discerning dance floor. Here, with access to the track master tapes we have been able to include the original version plus an unreleased instrumental take, allowing us to focus on the infectious bassline and make it even more ready for the modern dance floor.

Rhoda Dakar is back with her first solo album in seven years with Version Girl, a collection of reggae and ska covers by artists and songwriters she admires. Rhoda Dakar began her musical career as lead vocalist with all female 2Tone band, The Bodysnatchers. After a year together they split and Rhoda went on to guest with The Specials in Europe and the USA, having featured on their second album, 'More Specials', for which she won the first of her seven gold records.

After their demise, and before joining Jerry Dammers' new project, she recorded The Bodysnatchers' first original song, 'The Boiler', a harrowing tale of date rape, which was inevitably banned. Midnight Skank. Cat Number Release date 25 Feb ' The year old Houston native has a rich history contributing his artistry across both music and film, all the while carrying a consistent cultural message. The feat was then repeated by Black Radio 2. Direct lines can be drawn to Kamasi Washington, Thundercat, Kendrick Lamar, and black music writ large.

It is at once beautiful, powerful and innovative. Cat Number Release date 28 Feb ' It is the result of a 2-day session in which Glasper invited musician friends to stop by the studio and organically create together, the final result being this mixtape which sonically documents the lost art of improv and on the spot collaborations that can only come from authentic relationships and true artistry.

Rather than sounding rushed or unfinished, this double LP is vital, immediate and punchy AF, traversing jazz, hip hop and broken beat with ease. Recommended if you like Rachel's, Susumu Yokota, Colleen. After the first wave of artists that have broken the ice with their way of combining contemporary symphonic music with electronica and jazz on the European side Olafur Arnalds, Nils Frahm, Max Richter — now there is a new generation of young musician breaking boundaries on a new level.

Especially in Germany there is a new wave of artists that bring the thing on a whole new level. These 20 — 25 year old people don't just imitate what the bigger names in the scene the fathers have done but develop the style to a totally different level and add new ideas instead of just copying what the older guys did. They have been raised in 2 different world: Studied the history of contemporary classical music and also been influenced by what's happening in Electronica evolution of the last 25 years.

Ralph Heidel is one of these new kids in the German scene. Coming from Munich, the 25 year old extremely talented musician studied saxophone and composition at the Munich academy of music known for being the best music school in Germany.

Think Julliard or Berklee. He graduated in And: he comes from a Jazz musicians family and has grown up by listening to the jazz collection of his father. Studied saxophone since age of 12 with a big passion for the more advanced Jazz. In his own music all this comes together. This album is an extremely emotional work of art for strings, saxophone, drums, bass and electronics.

Ralph Heidel and his 7 piece ensemble Homo Ludens connect contemporary chamber music with Electronica, Ambient, Post rock and avant-garde Jazz. On a highest possible musical level — without getting too abstract and incomprehensible. Everything is composed and improvised. Nothing is sampled.

You find wild Punk-Jazz parts that recall John Zorn or Mahavishnu Orchestra and romantic passages that make you think about European impressionistic composers like Ravel or Debussy. But nothing is imitated, everything gets broken up through an expressive new way of using harmonization and melodic composing. Sometimes the band flies through an ambient and drone universe but one moment later the music evolves into an explosive, impossible to describe musical moment.

One of Heidel's biggest ability is to melt electronic and organic elements into a new unheard sound. Perfect Djs tool, includes one of the greatest drum bass breaks of all time!!! The Magic Disco Machine - Scratchin'. Nothing can go wrong here. Reginald Omas Mamode IV stands strong in process, sensibility and message; speaking authentically against our collective future and the struggle of the Afro Diaspora people, the enslavement and colonisation of his and many others ancestors.

His clear modus operandi focuses on a desire for peace, unity, love and a revised value system to insight a wider societal change. Throughout, the overall message remains of hope for a better future. There's a subtlety in delivering these ideas and concepts: Afro Mulatto expressions and inspirations of negro spiritual are articulated with clarity through intuitive instrumentalism, raw drums, natty funk bass, soulful fender Rhodes, and Creole percussive patterns.

He and his music are unknown to the majority, but to an obsessive minority, he is a lightning rod: that singular point at which numerous Southern soul and funk musicians converged and exploded, spreading wondrous music in all directions.

Marks died of cancer in May His first album was our Never Satisfied anthology, released posthumously. He stands out as a most mysterious talent to originate from Atlanta, a city that birthed no shortage of genius, and Love Is Gone: The Lost Sessions further makes the case for a reassessment of his talents and his place in the soul and funk canon. By the time of Galactic Parables Vol. When he returned to Chicago, International Anthem took the opportunity to capture these new ESO compositions with a cast of collaborators from their collective constellation of artists.

After 3 months of rigorous post-production, editing and assembly, Mazurek completed Dimensional Stardust. Folky jazz, thematic variations, dusty oscillators and euphonic groove moods will draw you into Rory More's world. Following on from 20 years of triumphant cinelounge releases, 's Through the dappled dell is another exploratory outing, an arboretum of way-out, showcasing Rory More's radical embrace of curious tunes soused in unusual phonics.

Playful, experimental and explorative, the trio ventures into a free wash of exotica drenched in deep modal jazz-vibes - with splashes of something more futuristic and modern. But contrary to what the title suggests, there are also roaring waves of energy, sizzling funky grooves to complement the ambient undercurrent. Far in. Bios: Tamar Osborn: Saxophonist, composer and multi-wind instrumentalist is the creative force behind modal jazz ensemble Collocutor On The Corner Records.

At the third New Interplanetary Melodies' astral journey stopover, it was mandatory to catch an Italian project deeply inspired by the Sun Ra visionary realm, expressing contemporary trials of hybridising jazz with artful electronica. So Ra Toth and The Brigantes' Orchestra landed on vinyl grooves for the label, after having previously appeared on the likes of Mathematics and Berceuse Heroique.

Behind the sound, we find the elusive and unpredictable genius of the well-respected producer Marcello Napoletano. NIM received the distorted sound signal from Napoletano taken over by the Egyptian deity born from the lips of Ra. Who knows if those noises were coming from a parallel dimension, outer space, or some otherworldly sphere? Submerged in dark bottom waters, the stormy waves of the 'Acid Sea' are made of convulsive afro-flavoured percussion with sharp synths looming out like the ivories of some freakish abyssal creatures.

What first sounded like hazy, hungover sketches of Nils Frahm were transformed in my mind into dub. So, I just had to ask his permission. As everyone knows, four songs are rarely enough for an LP. So, it was time to dig up a few old favourites. A beguiling mix of kraut, psyche, dub and downbeat, given a quirky Swedish slant. Its beautifully enamoured covers of Spiritualized sit stylishly next to a side of laid back dubs and soundscapes rich enough for the KPMG libraries!

Not only that, the artwork and sleeve design are fantastic. Gatefold 10" LP and Includes MP3 Download Code. The music provides a perfect partner for the stories within the book as the influence of 80's soul, hiphop, gogo and the traditions of Grand Central Records are heavily leant upon. Jimmy Turrell the man behind the artwork took Mark's old photographs to make a sublime montage that spans the entire inner gatefold and captures a visual history of the books contents.

The S. Raekwon project finds Reynolds documenting traces of a life both affected and infatuated by the power of difference. He never met his father and grew up with a white mother who loved musical theatre and playing piano. In Spring , as he worked a day job and sought connections with others, Reynolds wrote and tracked the first S.

Raekwon demos in his dingy studio apartment. Raekwon made for himself with a clarity that arrived as he located his missing pieces in the world. Delicate as his approach may be, chaos truly underscored the two working years as Reynolds not only moved to lift the weight of the world off his spirit but connected with his roots. Upon leaving Edwardsville in September , Reynolds quickly finished the rest of the album, charged by a new fire in his spirit and the light of his blood driving him towards a new beginning.

Raekwon forms beautiful synthy melodies imbued with a psychedelic sensibility and outsider pop influence, all topped with his wonderfully effective vocals and off-piste production elements. It's a heady and exciting mixture, and one that surprises at every turn. Following the Arab-Israeli war, Ragab became a Major in the Egyptian army and had unparalleled access to the military's musicians spanning Upper and Lower Egypt, along with a wide range of instruments.

Part of the barracks were christened the Jazz House and, following a crash course in jazz history by Geerken, the Cairo Jazz Band was born, playing their first concert at Ewart Memorial Hall at the American University in CD version includes extra unreleased tracks and a 24 page booklet featuring unseen photos and extensive liner notes by Francis Gooding The Wire. Translucent pistachio Diving even deeper into his sound world, merging electronic with acoustic, and rugged grooves with ambient atmospheres, to create something richer, more detailed, and more textural than before.

Rakei, already a practitioner of meditation and mindfulness, was curious about the potential of using therapy for further self-discovery. The image was created in a remote photo shoot, with Rakei sending images over the internet that were projected onto a sheet and photographed by Close.

The melancholic images reflect the title of the record, a question that Rakei would sometimes ask himself during a period of his childhood in which he suffered a great deal of anxiety: Is this what we call life? This is your chance to indulge in the music and story of one of the most meaningful, local movements of the 20th Century Black American experience, one that expanded outwards towards the cosmos. Limited Edition Clear It was written by guitarist Tommy Shaw , who told us in that he's delighted with the long life the song has enjoyed thanks to constant radio play, as well as placement on movie and TV soundtracks including Billy Madison and Freaks and Geeks.

If this list was strictly about those classic rock songs performed at football games, it would undoubtedly rank much higher. An unprecedented and arguably unmatched collection of talent and rock stardom, Blind Faith land at the No.

With both Traffic and Cream disbanded, Steve Winwood and Eric Clapton joined forces, bringing along another ex-Cream member Ginger Baker as well as Ric Grech from the incredible, though relatively obscure group Family. Their legacy amounted to only one studio album, but the strength of its songs and performances have made it a lasting favorite for rock fans.

Recorded during the first half of , Clapton, Winwood and Baker all contributed songs to the project, but this classic from the Traffic frontman stands out as the definitive statement. The beautiful and plaintive ballad finds Winwood's sweet vocal floating atop the intricate acoustic guitar work, while bassist Grech and drummer Baker provide subtle but effective rhythms to drive it along.

Jimmy Miller's warm and inviting production helps make the song all the more essential. The album topped both the U. The controversial cover art , featuring a very young topless girl holding the hood ornament from a Chevrolet didn't hurt sales either, as sad as that might sound. Clapton went on to his successful solo career, Traffic eventually reformed, and both Baker and Grech continued on, but this one-off collaboration still shines brightly.

George Thorogood and the Destroyers have a penchant for rockin' covers of all kinds of blues songs, but the band is probably best known for a song George wrote himself: "Bad to the Bone. It didn't get much attention when it was released on the album of the same name, but MTV liked it and put the video for the track into heavy rotation. The clip features a live performance by the Destroyers along with scenes of a cigar-chomping Thorogood shooting pool with Bo Diddley, and that may not have been happenstance: George is known for covering Diddley's "Who Do You Love?

MTV helped "Bad to the Bone" catch fire, and it's since been licensed out to scores of movies , TV shows and commercials. It's also played at sporting events all over the country, and several professional wrestlers have adopted it as their theme song.

While this isn't exactly as bad-ass, the song was also introduced to a much younger generation when Alvin and the Chipmunks covered it for an episode of their television series. But even though 'Bad to the Bone' was his greatest commercial success, the Thorogood isn't terribly interested in writing another song about hard-drinking tough guys. It just happened that way. People will say, 'I got this great song about a real bad guy in a bar,' and I go, 'I think the world has enough songs like that.

Easy to forget nowadays but, in their heyday, Grand Funk Railroad ruled the roost, selling tons of albums and concert tickets. Prior to "American Band," Grand Funk were primarily an album-oriented band. This single would change that.

Some credit must go to producer Todd Rundgren, who gave Grand Funk a push in the right direction, with just the proper amount of gloss to make the power trio now actually a foursome with the addition of keyboardist Craig Frost a bit more radio-friendly. It worked, earning the band their first No.

This would be the first of a string of hit singles for Brewer, Mark Farner, Mel Schacher and Frost, and to this day is the song most associated with the mighty Grand Funk Railroad. With "Hold On Loosely,". They also earned a spot on our list. The situation: You meet that amazing person and fall hard, really hard, for them. So of course from that point forward, you have to make sure that they are aware of your undying love for them, each and every day. Peterik continued to write with the band, working closely on their studio album Drivetrain.

Their lead singer and guitarist played with the Lemon Pipers, of "Green Tambourine" fame. The rest of the band members never even played on this highly offbeat entry on our Top Classic Rock Songs list. Welcome to the wild and crazy story that is "Black Betty" by Ram Jam. A later incarnation of that band Bartlett was the lone remaining Lemon Piper by this time recorded a rock version of Leadbelly's interpretation of the traditional work song "Black Betty," and released it on their own label.

The song was a regional hit, and caught the attention of a couple of New York producers, who re-packaged Bartlett with a new group of musicians and christened them Ram Jam. The song was a huge hit out of the box, reaching No. Listening to the song today, it's hard not to look back fondly at what was a much simpler time in the music industry, because this kind of song will never, ever happen again.

It begins with a thunderous kick drum, some rafter-shaking riffs by Bartlett, and that unforgettable " Whoa, black Betty, bam-ba-lam" vocal. At this point, the song sounds like a slightly glammier "Mississippi Queen" check those synth washes , the kind of track that would rock a concert hall and pack a dancefloor. No one could have suspected, then, that the band would veer hard right at the mark and launch into an Allman Brothers -fueled freakout. A two-minute freakout, in a song a little less than four minutes long, no less.

There are also no less than three moments where an audible splice of the master tape can be heard. As we said, simpler times. At the same time, one cannot overlook Ram Jam's raw enthusiasm, which rose above the seemingly disparate influences to create the kind of song that challenges at least one artist every decade or so to improve upon it, though to date, no one has come close.

Released when John Mellencamp was still recording under the name John Cougar, it remains his biggest hit single after spending four weeks atop the Billboard Hot Handclaps, splattering percussion, sparse acoustic strumming and faded piano dominate, save for a bridge with soul-infused gang vocals.

American Fool also helped cement another fruitful collaboration: It was the second album Cougar worked on with producer Don Gehman, and its success lead to a musical relationship which spanned from 's Uh-Huh and 's Scarecrow to 's The Lonesome Jubilee. Because of his work with Mellencamp, Gehman earned a reputation for having a masterful touch with folk-tinged pop music, which led to collaborations with such stars as R.

From the dramatic fade in, classical-style guitar riff and thundering bass on through that earth-shaking climax, Yes ' "Roundabout" is a masterpiece, and one of the prime slabs of progressive rock ever recorded. The lead track from Yes's fourth album, 's Fragile , its power and glory haven't diminished since its release.

Though the band had made great strides in reaching a wider audience with their third release, The Yes Album , Fragile took them to the upper regions of the rock world. Released at the height of the progressive-rock movement, Fragile as a whole, and "Roundabout" specifically, helped define the genre. The intricate playing, full-on dynamic rock and roll, strong melodies and great harmonies made it irresistible to underground FM radio as well as the Top 40, where a three-minute edit of the eight-minute song made it to No.

Top singles chart. Yes would travel through even more adventurous terrain, sometimes traveling too far into no man's land Relayer , anyone? It still sends chills up the spine of our very prog beings. From the opening percussion and boss bass riff all the way to that wailing saxophone outro, War unleashed an irresistible funky groove with their hit "Low Rider. War were a unique band, mixing funk with Latin, jazz, rock, soul and pop to make a sound that was truly their own.

This song was ubiquitous that summer and has taken on a life of its own in the years that followed. It has been used in countless movies, commercials and television shows and still gets airplay on oldies and classic rock radio. For a band that basically started off as Eric Burdon 's backing group, War certainly made a large mark on music history all by themselves with tracks like "Low Rider.

With "Born to Be Wild," Steppenwolf delivered not only a timeless rock anthem and open-road biker soundtrack, but also one of the most iconic tracks of an era. The song was written by Mars Bonfire who, though not a member of Steppenwolf, had previously been in the Sparrows with Steppenwolf leader John Kay. Its greatest success, however, would come a year later when it was featured prominently in the classic film Easy Rider. From then on, it was forever attached to the idea of the open road, rebellion, freedom and rock and roll.

The song has been covered countless times and used in dozens of movies and tv shows. Now go on, get your motor runnin'! No doubt they drew inspiration from their Capricorn Records label mates the Allman Brothers, but the Marshall Tucker Band were more than simply a band in the right place at the right time. They joined Southern rock bands like the Allmans and Lynyrd Skynyrd who were riding an undisputed high in the late '60s and early '70s, but the Marshall Tucker Band shied away from the rebel image they embraced, choosing instead to forge a path that was more about making unforgettable music than anything else.

This isn't a love song in the traditional sense of the word. This is the story of a man running as far away as he can to begin the process of healing himself. Listening to the track, the heartache of the lyrics is reflected as optimistically as possible by guitarist Toy Caldwell, yet there is an overarching feeling of heartbreak and sadness understandably permeating the song. The James Gang were huge in their hometown of Cleveland, but in some circles still might be best known as being the first major band of future Eagles guitarist Joe Walsh.

The pair went on to work together for decades. By the time Chrissie Hynde and her Pretenders released their seminal hit "Brass in Pocket," the band was already on its third lineup — and that's before they had any chart success.

Their third single, "Brass in Pocket" was their first U. The brass in the song's titular pocket is meant to mean "money," picked up from a bit of Yorkshire slang Hynde heard from a member of another band. Hynde's vocal imbues that brass with a far greater meaning: It's an emblem of confidence, a symbol of the certainty the singer feels when she considers what she wants and how she will achieve it. Think about the role of women as band leaders and songwriters in rock up to the arrival of the Pretenders.

There were many great female singers, and many great female songwriters, but precious few women who could lead a band. Chrissie Hynde almost single-handedly changed all of that. While her contemporary Debbie Harry was putting her own spin on the idea of a female lead singer with Blondie , Hynde instead proved that a central role in rock's power and impact — the bandleader, the frontperson, the boss — could just as easily be filled by a woman as a man.

More than anything else, this new wave was about a level of artistic integrity that vanished in the rock indulgences of the '70s and was made possible by the deck-clearing ferocity of punk. New wave wasn't about a sound. It was about a philosophy, and for the Pretenders — just as for XTC , Elvis Costello , Blondie and countless others — that philosophy meant strong songwriting anchored by pure musicianship.

At the end of the day, that's what "Brass in Pocket" is really about: It's a damn great song. Though it dates back to at least the early '30s, the Animals first heard the song which lands them on our Top Classic Rock Songs list on the debut album by Bob Dylan. This folk song was passed down through the years, ultimately making its way into the hands of Greenwich Village folk mainstay Dave Van Ronk, who put his own twist on "House of the Rising Sun.

Alan Price's haunting Hammond organ and Eric Burdon's impassioned vocals were a perfect fit for the track. It would become not only the Animals' signature song, but also planted the first seeds of what would eventually become folk-rock.

Out of step with most of the rest of the British invasion sounds, this record stood alone and utterly unique. Rex has probably the only song on our list with two different titles. Later, when the single was released in the U. The single went to No.

The hypnotic groove of this Tony Visconti-produced song begs you to play it repeatedly. Bolan found rhythm in his language and will long be remembered as a poet turned superstar. The latter also wrote the song, which was then titled "Someone to Love. The second version of the song boasts a faster tempo, beefed-up guitars and drums and, most important, a forceful performance from the frontwoman.

The hesitance Slick exhibited in the Great Society version vanishes. A mixture of scorn and longing drips from her smoky voice; the delivery announces her arrival as one of the great female rock vocalists of all time. More important, the song had a seismic impact on music's traditionally male-centric culture.

A few different renditions of this song exist, like the far slower E. Cola Mix included on the Grosse Pointe Blank film soundtrack. If you were a fan of the television show Burn Notice , you probably also recognized a remake of the song used as its ending theme. Considering their band name is America and was comprised of Americans, it's a bit odd to learn that the group in the No.

Funny enough though, the song was not included on the album when it was initially released. Given a lukewarm response by audiences in the U. One of those additional songs was called "Desert Song," a track that was eventually re-christened with its now-famous moniker. America co-founder Dewey Bunnell was never shy about admitting the influence that Neil Young had upon his music, and you definitely sense that here. America later scored a respectable number of hits after this, but they will be forever remembered as the band who observed "plants and birds and rocks and things" on their trip through the desert.

Mountain stomps onto our list with one of the mightiest riffs of all time, as featured on "Mississippi Queen. This classic packs a whole lot of jolt into just two and a half minutes. The cowbell counts things off like an alarm, and then guitarist Leslie West delivers that famous and fantastic introduction. Fresh from a legendary appearance at Woodstock the year before, Mountain were on the rise in and the very catchy, yet very heavy, "Mississippi Queen" pushed the band up the ranks of rock royalty.

The song was the lead track from their first album, Climbing , and the single reached No. West's savage guitar, along with the rhythm section of Corky Laing on drums and bassist Felix Pappalardi added up to one mighty fine power trio. If the band had their way, the title of Nazareth 's entry on our Top Classic Rock Songs list might not be quite as subtle as it is now. If you've ever wondered why the group just didn't name their smash hit album and its cowbell-and-talk box happy title track "Son of a Bitch," after that famously threatening "Now you're messing with a But the label won, and an effort by the band to be more clear with the title "Heir of the Dog" was also rejected, leaving us with the vague innuendo we have today.

Still, with the rare and highly contested exception of Motley Crue perfecting " Helter Skelter , as always the original remains the king. Despite the fact that they were only originally active for an approximate two-year span to , the impact of Buffalo Springfield 's song "For What It's Worth" continues to resonate today, decades later. Released approximately 12 years into the Vietnam War, the song has often been interpreted to be an anti-war anthem, when in fact "For What It's Worth" was originally written by Stephen Stills as a reaction to escalating unrest between Los Angeles law enforcement and club-goers on the Sunset Strip.

The unrest started when officers, bowing to pressure from both business and home owners in the area, chose to begin enforcing a strict 10 PM curfew that dated back to in an effort to curb the number of people hanging out there. The Los Angeles County board of supervisors decided that getting tough was the best tactic, and rescinded the "youth permits" of 12 of the clubs frequented by youth on the Sunset Strip, deeming them off-limits to anybody under 21 years of age.

The Sunset Strip riots were born when arrests for curfew violations began escalating. There were six consecutive weekends where young people protested the enforcement of the bylaw. Most of the damage was done, however, on Nov. Before the evening was through, store windows had been smashed, a city bus disabled and more than arrests were made.

What does a British jazz-blues band know about life on the Jersey shore? The Earth Band was formed in out of the ashes of the original Manfred Mann band, replacing the original's garage rock with a more progressive sound that incorporated classical themes. But, like their first band, they weren't very prolific songwriters, and often had to rely on other composers.

So, it made sense that they record one of his songs. On VH-1's Storytellers in , Springsteen broke down the mystery of the lyrics. The song was a "young musician's tale, kind of a litany of adventures. It was rather on the autobiographical side," shot through a rhyming dictionary. The " madman drummer " and the " teenage diplomat " in the opening line, for example, were him and original E Street Band member Vini "Mad Dog" Lopez. Along the way, we hit church dances, meet campus radicals, FBI agents and several loose women, including "little Early-Pearly" who " came by in her curly wurly and asked me if I needed a ride.

Manfred Mann's Earth Band took the loose, folksy vibe of the original and gave it a harder edge, adding a lengthy guitar solo, Moog synthesizer and, for some reason, a snippet of the children's piano lesson, "Chopsticks.

It was late when Reed, who never ceased to offend somebody, managed to land a No. Reed, having been plugged into that scene, can easily take credit for helping America find their wild side. The single comes from the album Transformer which was co-produced by David Bowie and Mick Ronson, who were creatively peaking in their own right. The union of these three artists was nothing short of monumental. Bowie was ecstatic to work next to one of his heroes, while Reed benefited from the skills that Bowie and Ronson brought to the studio.

By the time the song ends, you can almost feel the sweat streaming down as the lights and sounds of the crowd begin to fade away. For years, "Juke Box Hero" has been a concert staple, often coming late in the set. Janis Joplin is one of only a few female artists featured on our list of the Top Classic Rock Songs. As Jim Morrison can tell you , however, she wasn't intimidated by any man, woman or child.

Not a shabby way to kick-start your career. The single peaked at the No. Characterized by the very new-wave sound with which the band was associated, the song is perhaps most notable for the nonsensical phrases sung by vocalist David Byrne. It's one of the relatively few songs he had a hand in writing during his solo career, but neither Rod Stewart nor his label thought all that much of "Maggie May" at first, relegating it to B-side status on the "Reason to Believe" single.

Fortunately for Rod, the general public had bigger plans for "Maggie," sending it to No. Stewart wrote the song with Steamhammer guitarist Martin Quittenton, reaching back to a particularly saucy episode in his past for inspiration. He fessed up during a interview with Q , saying it "was more or less a true story about the first woman I had sex with, at the Beaulieu Jazz Festival. It almost didn't make the cut on Every Picture Tells a Story , he added, "because the label said it didn't have a melody.

I said, 'Well, we've run out of time now; these are all the tracks we've recorded. He remained in the group until its split in , but they were occasionally marketed as the "Faces with Rod Stewart," driving a wedge into what was already a volatile mix. For Stewart, however, it kicked off a torrid string of hit singles and albums. As for Maggie herself, her identity remains a mystery. The song title was taken not from the woman in the story, but from a traditional British folk song about a prostitute who robs a sailor.

Something to think about the next time you're singing along. Apparently undaunted by the legacy of the Eagles hanging over him, Don Henley found respectable success with his post-Eagles solo debut, 's I Can't Stand Still. His sophomore effort, 's Building the Perfect Beast , helped Henley prove once and for all that he could in fact fly without the Eagles.

It also gave us the No. In stark contrast to his often critically dismissed work with the Eagles, "The Boys of Summer" finally provided Henley with commercial and critical acclaim. Motley Crue 's logo and imagery were already etched onto the notebooks of every hard rock- and metal-loving teenage fan prior to the release of their third album Theatre of Pain. However, the massive success of the album's soaring ballad "Home Sweet Home" catapulted the band to a whole new level of stardom and, years later, onto our Top Classic Rock Songs list.

The track quickly became a cultural touchstone, kick-starting for better or worse the power ballad trend and reportedly forcing MTV to change their rules in order to keep the song's similarly imitated video from dominating their call-in shows for the rest of time. More importantly, by our unscientific estimates, a quarter of a million gallons of cigarette-lighter fuel and 13 gigawatts of cell phone power have been consumed during Motley Crue's live performances of the song over the years.

Although "Home Sweet Home" is most notable on first listen for the inclusion of a tender piano intro and outro from drummer Tommy Lee, Motley Crue wasn't abandoning their hard-rocking roots: Check out the majestic and anthemic soloing from guitarist Mick Mars which dominates the song's climactic second half. When you think of Phil Collins , the climactic, dam-bursting drum beat of his hit "In the Air Tonight" is very likely one of the first things that comes to mind.

A divorce from his first wife Andrea provided the framework for his solo debut Face Value , a dark portrait of the emotional despair and anger that the Genesis frontman was feeling over the loss. His vocal seethes with a new-found confidence, knowing that there is indeed a light at the end of the tunnel. Still, the centerpiece of the song, without a doubt, is the unforgettable mid-song drum breakdown from Collins which brings the energy levels of "Air" to full throttle. The sight of Collins thrashing around his drum kit is a now-famous visual which was later replicated in one of the "Grand Theft Auto" games where the bad guys were out to kill Collins while he's on stage performing "In the Air Tonight.

A much less dramatic version with no bad guys can be found on the Live at Montreux DVD, recorded in He was later forced to temporarily retire from drumming due to back problems that made it too painful for him to play the drums. In , Collins returned to recording and touring. If he needed an extra hand on stage, Mike Tyson seems prepared to take over. Either way, "In the Air Tonight" will survive in recorded form as one of his greatest accomplishments. Instead, he recorded it on a lark, complete with stammering "Bu-bu-bu-baby" vocals, as a joke and loving tribute to his brother Gary, who actually did have a stutter: "It was basically just an instrumental and I was fooling around," he said.

Bachman dug out the previously private demo for "You Ain't Seen Nothing Yet," Fach flipped for it, and after an aborted attempt to re-record it without the stutter, agreed to let this track appear on Not Fragile as originally created. When it started getting more attention from radio than the officially released single "Roll on Down the Highway," Fach was forced to give up all resistance. Since, the track has hovered around the top of recurrent FM playlists, and appeared in a never-ending series of movies and TV shows to this day.

The story behind this entry in our Top Classic Rock Songs is one of musical lore. Its name came from a conversation Stevie had with her good friend Tom Petty 's first wife Jane about the couple's first meeting. Jane said they met at the "age of seventeen," but her thick Southern accent made it sound like she said "edge of seventeen" — and Nicks was so taken with the phrase that she asked Jane if she could use it as a song title. Stevie intended "Edge of Seventeen" to be about the Pettys, but when her beloved uncle Jonathan and music legend John Lennon both died during the same week in December of , she shifted focus.

She's since said that the "white-winged dove" in the lyrics represented the spirit leaving the body upon death, and some of the verses recount Stevie's experiences in the days leading up to her uncle's passing. In fact, the guitar riff — played by Stevie's longtime guitarist, session musician Waddy Wachtel — is so distinctive that it was sampled in the Destiny's Child song "Bootylicious," and Stevie herself even made an appearance in the accompanying video.

Somewhere right now, Billy Joel 's "Piano Man" is playing. It's on a jukebox, and it's on in the produce section at your local grocery store. It's on your radio; it's in your head. It's a key component in the aural wallpaper that surrounds us every day, and it's on our Top Classic Rock Songs list. And it's part of that wallpaper because it's easy, and it's kinda soft, and pleasant enough in its own way, at least if you don't think too hard about the sad-sack loser characters that inhabit its lyrics.

But it's also part of the soundtrack to our lives because it's a damn great song. Drawing inspiration from his time spent as a piano player in an L. Oddly enough, the song was both butchered, then somewhat ignored when first released as a single in Deemed too long for Top 40 radio, it was edited down into shorter versions and then promptly disappeared into oblivion, topping out at No.

After Joel's breakout album The Stranger found success in , the song gained far more traction until the point where it ultimately became synonymous with Joel himself. After a couple of decades riding the charts with radio-friendly, expertly-crafted piano pop, and a couple decades after that as the punchline to every other bloated drunkard joke on late-night talk shows, it might be easy to dismiss Billy Joel. It's been decades since his last studio record, 's River of Dreams , dominated the airwaves, and that was by no means his greatest work.

Next time "Piano Man" pops up in the aural wallpaper of your life, however, give it a real listen. Let it paint a picture for you, and understand the real brilliance of Billy Joel. Great songs tell a story, and whether you've spent time in a piano lounge or never set foot in one, "Piano Man" paints a vivid portrait of a specific place and time, every time you hear it. That's true whether you're waiting in the dentist's office or wrapped in the sonic embrace of your headphones.

Formed in in the Netherlands, Golden Earring had been releasing a string of fantastic records for nearly a decade, but nothing that took hold in the U. Their highly recommended album Moontan changed that, as FM radio began spinning cuts like "Vanilla Queen" and "Candy's Going Bad," while at the same time the driving rocker "Radar Love" made its way to top 40 radio, reaching No.

Built around an insistent rhythm and riff, the song rides alongside its protagonist, who has been "driving all night, hands wet on the wheel" while listening to Brenda Lee's "Comin' On Strong" — a pretty driving little number itself, we might add! Like so many of the artists featured on this list, Golden Earring are so much more than the one or two songs they are best known for.

You will not be sorry. After a blistering performance at the Montreux Jazz Festival in , the then-unknown guitarist left the gig discouraged, thinking the audience reception was less than favorable. Little did he know that David Bowie and Jackson Browne were in the audience. By the time that year was over, Vaughan could be heard on six different hit singles, four from Bowie's album and two from his own, including "Pride and Joy. Vaughan and his band Double Trouble were delivering the blues and better still; pop-rock radio put it in rotation, which was very uncommon at the time.

Some believe that Vaughan single-handedly revitalized the blues genre, introducing it to an eager new audience. An eight-minute-plus slab from the Foghat album Fool For the City , this song works its way into your subconscious slowly but quite deliberately.

When that steady drum beat starts, you'll no doubt find your hand starting to smack your kneecap in time as the initial guitar riff kicks in. Barely past the second mark, shape-shifting cymbals surround a woozy slide guitar riff from Rod Price. Simple enough, right? But movies and the eventual video game licensing possibilities were probably the furthest thing from the mind of Foghat members during their heyday.

That recipe was eventually good enough for five gold-selling albums and several charting hits in the '70s. The decade that followed brought about a quiet period for the band, and members drifted apart for a few years, before Foghat finally returned. Drummer Roger Earl is the only remaining original member, following the deaths of both Peverett and Price. If you are searching for the definitive riff in all of rock and roll, we may have just the thing for you: The Kinks ' gate crasher "You Really Got Me," the next entry in our list of Top Classic Rock Songs.

This amazingly primal track, released in the summer of during the height of the British Invasion, inspired countless bands over many genres. It has been said that the roots of punk, heavy metal and garage rock can be traced to this two-and-a-half-minute blast of energy.

Ray Davies' simple, almost neanderthal riff — played by brother Dave Davies, and aided by perfectly a raw production from Shel Talmy — was unique to the beat groups invading our shores that year. That surge of teen urgency channeled through that distorted guitar was a match made in heaven.

Crank it up and you will see that decades later, it still knocks down walls. One of the greatest songwriters of the rock and roll era, Ray Davies went on to compose a string of amazing singles and albums. The Kinks' catalog from through stands up to that of any of their more popular peers. After a string of blues-influenced albums, 's "The Joker" took the Steve Miller Band music and songwriting in a more pop and rock direction, resulting in the biggest hits of his career. That rise to superstardom began here and it's not hard to see why.

With a guitar riff that's as catchy as it is simple and the kind of lyrics that are instantly quotable, "The Joker" is almost so stupid it's brilliant, or maybe so brilliant it's dumb. That said, no in-depth discussion of the "The Joker" can avoid the tune's central question: What, exactly, is "the pompatus of love"? Well, nothing, at first — though it has grown into something of a neologism, or "a newly coined term, word, or phrase, that may be in the process of entering common use, but has not yet been accepted into mainstream language.

Whether pompatus will ever gain that acceptance remains to be seen, but it does exist in the Oxford English Dictionary , where it's defined as "to act with pomp and splendor. If this seems like a lot of research trying to understand a song that's really about weed and chicks, hey, that's rock 'n' roll. Plus, "the splendor of love" sounds downright boring.

Today, "The Joker" stands as a cornerstone of classic rock radio and part of the pop culture landscape. Topping Billboard's Hot in early , the song hit the top of the U. It even partially inspired a feature film starring Jon Cryer — titled The Pompatus of Love , of course. Maybe what's most compelling about "The Joker" is the fact that even though the lyrics seem to make absolutely no sense, there is always this feeling that if you just listen a few more times, you'll somehow unlock the secrets of Maurice, the space cowboy, and the pompatus of love.

We've already seen Joe Walsh on our Top Classic Rock Songs list as a member of the James Gang, and it's a pretty safe bet we'll be checking in on him later as part of the Eagles , but right now, how about we take a trip down "Rocky Mountain Way? Technically, we could have snuck Walsh onto our countdown four times.

Even though only his name is on the cover, this song actually comes from the second album by his post-James Gang project, Barnstorm. Reportedly inspired by the longtime Ohio native's move to Colorado, the chunky slide guitar, lurching rhythm and rolling piano line on "Rocky Mountain Way" does indeed capture the rugged natural beauty of that state.

Simpler forms of the technology had been used on records before. Peter Frampton was obviously inspired: He called Walsh to find out what this magic box was and how to use it. The results can be heard on Frampton's later entry on this Top list. Still, its success was quickly followed by legal controversy. Regardless, Harrison believed that because "My Sweet Lord" sounded like a pop song, it had the power to sneak up on the listener, and he was right.

He longs to touch the real thing, whoever she is. Alas, this mystery girl remains only a fantasy and much to his despair, he can only love her from afar. Def Leppard knows the formula for creating a good single, and this was just one of many for this talented group. With its strong, passionate vocal from Elliott and great guitar riffs from Collen, the song's unforgettable melody is as indelible as a photographic image.

Prior to their time in Bad Company , Paul Rodgers and drummer Simon Kirke had already realized a few rock and roll fantasies of their own with Free. Their signature number "All Right Now," which deservedly grabs a slot on our Top Classic Rock Songs countdown, was created by a group who were just in their teens when they first got together. In fact, bassist Andy Fraser just 15 years old at time. Listening to "All Right Now" now, however, you wonder how anyone missed it.

But Island Records president Chris Blackwell stepped in and released it anyway. They needed a number to get the audiences on their feet, and "All Right Now" which was made complete with a healthy helping of cowbell proved to be just what the doctor ordered. Inner-band turmoil and wildly fluctuating record sales eventually caused Free to break apart, and that was followed tragically by the drug-related death of Kossoff in Still, the blistering "All Right Now" remains a feather in their cap.

Released in , Blue Oyster Cult 's classic " Don't Fear The Reaper" could be considered the summation of all they had done up to that point in their career, condensed into a five-minute song. The first single, and centerpiece of their fourth studio album Agents Of Fortune , was an instant hit on FM radio, and to this day remains a daily radio favorite. It is also the song most identified with Blue Oyster Cult, solidifying its inclusion here on our list of the Top Classic Rock Songs.

An album was recorded, but never released. They soon adopted the moniker of Blue Oyster Cult and signed with Columbia. The band's first three albums are all stone-cold classics of hard, yet at times very ethereal, rock and roll. With Agents Of Fortune , the band fine tuned their sound and as a result connected with radio and record buyers, sending "Reaper" to No.

The mood is set with a sinister yet inviting, Byrds -inspired guitar riff. A driving rhythm and haunting vocals overtake the proceedings and then at the halfway point, the whole thing bursts wide open into guitar frenzy before the overall calm reclaims the terrain. A brilliant piece of rock and roll from start to end. The song was later parodied on Saturday Night Live , with Christopher Walken playing a character who actually had nothing to do with the original recordings.

Bruce Dickinson was the reissue producer and did not produce the original album; Sandy Pearlman did. These five guys from Manitoba, Canada, can't seem to grasp the allure of an American woman during this entry on our list of Top Classic Rock Songs. But it still made for great rock and roll.

Hailing from the record of the same name, the Guess Who's "American Woman" vaulted to the top of the Billboard charts shortly after the single was released in March The song actually came together in a rather unexpected way.

It reportedly started as a live jam during one of the Guess Who's concerts in Ontario, Canada. As the group found their way, Burton Cummings began improvising the lyrics, singing what he felt worked best with the rhythm. Although some perceived the song's lyrics to be chauvinistic, bassist Jim Kale insisted that the words were merely meant to reflect some of the social differences between Canada and the United States at the time, most namely around the draft for the Vietnam War.

In an ironic twist, the Guess Who were invited to play at the White House shortly after the song was a certified hit but were reportedly asked by First Lady Pat Nixon to refrain from playing "American Woman" due to its perceived anti-American lyrics. And when "Roxanne" did finally resonate with listeners after its re-release, it barely cracked the Top 40 in the U.

I mean, they do have fellas. How would I feel? Despite the risque subject matter, "Roxanne" reportedly helped the Police secure a record deal. The label agreed, beginning a relationship that would span the Police's entire career. As if to underscore its genre fluidity, "Roxanne" has metamorphosed through the years. Emo-pop act Fall Out Boy emphasized the punk roots of the song on a released cover, while pop star George Michael approached the song like a standards crooner.

Sting himself has actually reinvented the song more than anyone else: He recorded a version of the song with rapper Puff Daddy in , and during solo concerts has performed both an extended, reggae-driven interpretation of the song and a gentle orchestral rendition.

Frampton is deservedly celebrated for his guitar playing and songwriting, but should also be recognized as a survivor in an industry that chews up and spits out even the best of them. The longevity of his career is nothing short of remarkable. Remember, he started out as the vocalist and guitarist in the British teen band the Herd, and then followed that up by co-founding the mighty Humble Pie before going solo. Frampton released four mildly successful solo albums before millions and millions of copies of Frampton Comes Alive!

He was calling out for guidance and the audience made the connection. So, while the boys tried to figure out how he achieved that unique talk-box sound could it be he got some inspiration from Joe Walsh? Decades years later, Frampton has proven that he knew the way all along. You can almost feel the warm breeze blowing in as the summery sounds of wind chimes lead into the acoustic guitar and fiddle during the opening of the next track on our Top Classic Rock Song countdown, the Doobie Brothers' "Black Water.

However, in an oft-repeated tale in rock history, an intrepid DJ flipping the record over and playing the other side led to the song hitting the No. Written and sung by guitarist Patrick Simmons, "Black Water" was a change up from the more rootsy rock and roll that had established the band up to this point with hits like "Long Train Runnin'" and "China Grove.

The Doobie Brothers would go on to score more hits and explore more creative ground throughout their long and successful career, but "Black Water" was their first monster hit and remains among their most popular songs ever. Rush grab their much deserved slot on our Top Classic Rock Songs list with a track that found the band once again breaking new ground artistically.

From the band's perspective, every single second of "Tom Sawyer" would be hard fought for in the studio as they worked to get things exactly right. What began as it often does as simple noodling at soundcheck evolved into a much more complex undertaking. Fortunately their efforts paid off and "Tom Sawyer" was quite well received, to put it mildly. The positive reception however, came as a complete shock to the band.

Lifeson has joked in the past about nailing the solo in a short period of time, but he later admitted that in reality quite a bit of tinkering was necessary to finally get a satisfactory take. Regardless of exactly what format the best local rock station from your teenage years favored — the popular classics, the hard stuff, or true oldies — odds are pretty good that Thin Lizzy 's hit 'The Boys Are Back in Town' was regularly pulled out of the record stacks to accompany your evening's adventures.

Learning how to drive, then spending weekend nights goofing off with your friends in the car, you'd kill to hear a song like this on the radio. It would soundtrack your night, but you'd hope for more — that it would somehow bend the evening toward some chaotic climax of insanity, like a bar fight or the chance to sweep some new girl off her feet. Even if, in reality there were no bars you really had a prayer of getting into and few girls willing to give any of us guys the time of day.

Thin Lizzy's classic sound was defined by the twin guitars of Scott Gorham and Brian Robertson, and the central riff on hard-to-dispute Top Classic Rock Songs club member "The Boys Are Back in Town" is maybe their most recognizable and brilliant moment. But let's not discount the late Phil Lynott's lyric or vocals; breathless from the start, he paints with a broad brush and brings you into the middle of an ongoing story. These characters aren't from anywhere you know, and they may not wander through your night again, but while they're around, they will tear things up.

We must admit, we can't recall any evenings spent cruising around in our green Ford Tempo that rivaled the action depicted in "The Boys Are Back in Town. By , more than a decade into their career, Judas Priest were ready to take on the world. With the release of their sixth album, the classic British Steel and the single "Living After Midnight" they were really delivering the goods. The song packed a real one-two punch that woke up U.

With its simple, almost Kinks-like riff, "Living After Midnight" was a perfect melding of metal and pop, in the best sense of both worlds. In just over three minutes, Judas Priest packed all the power of their metallic sound into a simple, direct pop track.

Leaving behind earlier, more complicated songwriting, the band turned in a riff, melody and driving beat that was irresistible to rock radio. Record buyers also got hooked, giving Judas Priest their first major hit. The album cracked the Top 40 in America and the Top 5 in their native England. Judas Priest could be a lot heavier, no doubt, and at times even poppier remember "Turbo Lover"?

Four years after Frank Zappa realized there was something special about Alice Cooper , signing them to his record label, the title track from the band's album School's Out sent the group to the head of the class. Decades later, it still easily aces our Top Classic Rock Songs entrance exam. Three and a half minutes of pure loud guitar bliss, with Alice the man in full power of his gritty, made-for-rock and roll voice.

From the opening call to arms guitar riff through to the cheering school kids at the end, it's a celebration put to wax. Wisely released just as school was letting out across America, the single hit the Top 10 in June of and would carry the album all the way to No. The song proved to be an even bigger hit in England, where it shot to No. The ever-present controversy surrounding Alice Cooper didn't hurt.

The group's on-stage use of snakes, hangings, guillotines and a pervading dark, perverse sense of humor made their show a must-see attraction early on. The release of the School's Out album itself was not without its share of headlines as the initial run was packaged with paper panties in lieu of a sleeve. Turns out, the panties were flammable and had to be recalled. Naysayers howled: Who was this sick Alice Cooper and why were young kids buying a record with panties in it?

Of course, this was back when parents would genuinely get upset by such things. Ahh, those were the days! Then again, why would you want to? The original studio version of the song had appeared on the band's sophomore LP In Color , and failed to make any waves in this country. In Japan, a different story was unfolding: The band became an overnight sensation in the land of the rising sun. Just as their third album, the classic Heaven Tonight , hit the streets, Cheap Trick found themselves being welcomed to Japan, Beatlemania-style.

This led to a headlining tour, and the recording of a series of shows at the legendary Budokan arena. The resulting live project, Cheap Trick at Budokan , was released in the fall of and was originally intended for a Japanese-only release. Then something happened. Imports started showing up in this country and — what d'ya know?

In fact, Cheap Trick at Budokan reportedly became the biggest selling import album of the '70s. So, in a classic case of supply and demand, Epic Records released the album here in early and it just took off. The success of At Budokan caught everyone by surprise — the label and radio programmers, not to mention the band itself.

As it kept selling, the album shot to No. It made the Budokan and Cheap Trick household names, and turned the masses on to what the band's die hard fans already knew: This was a great band that needed to be heard. Along with "Surrender," this remains the song most identified with the eternally great Cheap Trick, so it finds a rightful home on our list of the Top Classic Rock Songs.

Approximately one year following the release of JJ Cale's record Troubadour , Eric Clapton introduced Cale's song "Cocaine" to a much wider audience when he included it on his album Slowhand , released in November Slowhand marked a resurgence of sorts for Clapton, arriving after a string of releases failed to live up to the promise heard on 's Ocean Boulevard.

Driven by a relatively laid-back blues beat, "Cocaine" wasn't so much a lyrically based song as it was a somewhat understated showcase of Clapton's superior skill with the guitar. His version of "Cocaine" runs approximately 53 seconds longer than Cale's, but Clapton's treatment of the track is otherwise faithful, maintaining the same relaxed vibe as the original. Given his ability on the guitar, it should not be terribly surprising to anyone that Clapton chose to showcase his chops and in turn extend the song.

Regardless, the song stands proud on our Top Classic Rock Songs list as arguably one of his finest moments, and a staple of his set list decades after its release. Following the massive success of their self-titled debut record, England's Bad Company certainly had their work cut out for them when the time came around to crafting the dreaded sophomore follow-up.

The song starts with an acoustic guitar, sounding somewhat similar to Led Zeppelin , who signed the band to their Swan Song label. Vocalist Paul Rodgers sounds almost wistful and rather restrained, considering what we know of his full potential power. Gentle vocal harmonies keep "Feel Like Makin' Love" on track before guitarist Mick Ralphs kicks the distortion pedal on in time for the anthemic, yet simplistic chorus.

Rocket science this was not, yet the track resonated well with their fans. Kid Rock is one of the more recent artists to have covered "Feel Like Makin' Love," including the song on his self-titled release of But he didn't have quite as much luck on the charts as the originators of the song did, peaking at No.

The Pacific Northwest band had become superstars in Canada and the U. It was really a feeling of rage I felt; I felt sort of trapped and really insulted. Underneath the barreling top layer, sustained guitar flourishes add flickers of unease. Heart's entry onto our Top Classic Rock Songs list has lost none of its power over the years. Fleetwood Mac 's legendary record Rumours has sold more than 19 million copies in the U. A warts-and-all tale of real-life relationship break-downs within the band — yes, more than one, at the same time — Rumours has stood the test of time largely based around the honesty of tracks like "Go Your Own Way.

Ultimately, he concludes if she doesn't like what he has to offer, well, the door's right over there. Ironically, for a song that classic rock radio has almost played to death, it seems to be more revered nowadays than it was at the time of its original release.

Chances are that if you were to approach any random stranger on the street, they would be more likely to have heard "Go Your Own Way" that either of those other two tracks. Let that sink in: This fully-formed, blues-drenched tune was the first many heard from Mark Knopfler and company. Its appeal was evident long before "Sultans of Swing" hit No. After all, a demo version of the song reportedly earned the band a record deal.

More specifically, the literal approach to the lyrics is subtle and clever. The year was busy for former Beatles star Paul McCartney. April saw the release of his album Red Rose Speedway Then the stand-alone single song "Live and Let Die" — written for the James Bond movie of the same name — garnered McCartney one of his biggest hits ever. The No. Unlike much that McCartney had released to date, "Live and Let Die" starts with a hushed introduction featuring piano and McCartney's doubled-up vocals, but an entirely different dynamic comes into play after the first verse.

At this point, a bombastic run of strings and orchestral instruments brings approved action movie drama to the proceedings, before making another surprising move, into a pseudo-reggae bridge. It was, to say the very least, an interesting mash-up of musical styles, and one that only a talented and studied artist like McCartney could pull off with such flying colors.

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Welcome to Hyperion Records, an independent British classical label devoted to presenting high-quality recordings of music of all styles and from all periods from the twelfth century to the twenty-first.

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