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The old vine cannot unwind its tendrils. The branch falls with the decay of its support, and must cling to the new growths around it, if it would not lie helpless in the dust. This paper is a new tendril, feeling its way, as it best may, to whatever it can wind around.
The thought of finding here and there an old friend, and making, it may be, once in a while a new one, is very grateful to me. The chief drawback to the pleasure is the feeling that I am submitting to that inevitable exposure which is the penalty of authorship in every form. A writer must make up his mind to the possible rough treatment of the critics, who swarm like bacteria whenever there is any literary material on which they can feed.
I have had as little to complain of as most writers, yet I think it is always with reluctance that one encounters the promiscuous handling which the products of the mind have to put up with, as much as the fruit and provisions in the market-stalls. I had rather be criticised, however, than criticise; that is, express my opinions in the public prints of other writers' work, if they are living, and can suffer, as I should often have to make them.
There are enough, thank Heaven, without me. We are literary cannibals, and our writers live on each other and each other's productions to a fearful extent. What the mulberry leaf is to the silk-worm, the author's book, treatise, essay, poem, is to the critical larva; that feed upon it. It furnishes them with food and clothing. The process may not be agreeable to the mulberry leaf or to the printed page; but without it the leaf would not have become the silk that covers the empress's shoulders, and but for the critic the author's book might never have reached the scholar's table.
Scribblers will feed on each other, and if we insist on being scribblers we must consent to be fed on. We must try to endure philosophically what we cannot help, and ought not, I suppose, to wish to help. It is the custom at our table to vary the usual talk, by the reading of short papers, in prose or verse, by one or more of The Teacups, as we are in the habit of calling those who make up our company. That paper was published at the time, and has since seen the light in other forms.
He did not know so much about old age then as he does now, and would doubtless write somewhat differently if he took the subject up again. But I found that it was the general wish that another of our company should let us hear what he had to say about it. I received a polite note, requesting me to discourse about old age, inasmuch as I was particularly well qualified by my experience to write in an authoritative way concerning it. The fact is that I,—for it is myself who am speaking,—have recently arrived at the age of threescore years and twenty,—fourscore years we may otherwise call it.
There is nothing invidious in this, as I am the oldest of the company, and no claim is less likely to excite jealousy than that of priority of birth. I received congratulations on reaching my eightieth birthday, not only from our circle of Teacups, but from friends, near and distant, in large numbers.
I tried to acknowledge these kindly missives with the aid of a most intelligent secretary; but I fear that there were gifts not thanked for, and tokens of good-will not recognized. Let any neglected correspondent be assured that it was not intentionally that he or she was slighted. I was grateful for every such mark of esteem; even for the telegram from an unknown friend in a distant land, for which I cheerfully paid the considerable charge which the sender doubtless knew it would give me pleasure to disburse for such an expression of friendly feeling.
It is in A Song of Moses that we find the words, made very familiar to us by the Episcopal Burial Service, which place the natural limit on life at threescore years and ten, with an extra ten years for some of a stronger constitution than the average. Yet we are told that Moses himself lived to be a hundred and twenty years old, and that his eye was not dim nor his natural strength abated.
This is hard to accept literally, but we need not doubt that he was very old, and in remarkably good condition for a man of his age. Among his followers was a stout old captain, Caleb, the son of Jephunneh. As yet, I am as strong this day as I was in the day that Moses sent me; as my strength was then, even so is my strength now, for war, both to go out and to come in. But he was, no doubt, lusty and vigorous for his years, and ready to smite the Canaanites hip and thigh, and drive them out, and take possession of their land, as he did forthwith, when Moses gave him leave.
Grand old men there were, three thousand years ago! But not all octogenarians were like Caleb, the son of Jephunneh. Can thy servant taste what I eat or what I drink? Can I hear any more the voice of singing men and singing women? Wherefore, then, should thy servant be yet a burden unto my lord the king? Thirty centuries do not seem to have made any very great difference in the extreme limits of life. Without pretending to rival the alleged cases of life prolonged beyond the middle of its second century, such as those of Henry Jenkins and Thomas Parr, we can make a good showing of centenarians and nonagenarians.
I myself remember Dr. Holyoke, of Salem, son of a president of Harvard College, who answered a toast proposed in his honor at a dinner given to him on his hundredth birthday. Colonel Perkins, of Connecticut, died recently after celebrating his centennial anniversary. Among nonagenarians, three whose names are well known to Bostonians, Lord Lyndhurst, Josiah Quincy, and Sidney Bartlett, were remarkable for retaining their faculties in their extreme age.
That patriarch of our American literature, the illustrious historian of his country, is still with us, his birth dating in Ranke, the great German historian, died at the age of ninety-one, and Chevreul, the eminent chemist, at that of a hundred and two. Some English sporting characters have furnished striking examples of robust longevity.
Henry Hastings was the name of this old gentleman, who lived in the time of Charles the First. It would be hard to find a better portrait of a hunting squire than that which the Earl of Shaftesbury has the credit of having drawn of this very peculiar personage.
He got on horseback without help, and rode to the death of the stag till he was past fourscore. Everything depends on habit. Old people can do, of course, more or less well, what they have been doing all their lives; but try to teach them any new tricks, and the truth of the old adage will very soon show itself. It is something to have climbed the white summit, the Mont Blanc of fourscore. A small number only of mankind ever see their eightieth anniversary. I might go to the statistical tables of the annuity and life insurance offices for extended and exact information, but I prefer to take the facts which have impressed themselves upon me in my own career.
The class of at Harvard College, of which I am a member, graduated, according to the triennial, fifty-nine in number. It is sixty years, then, since that time; and as they were, on an average, about twenty years old, those who survive must have reached fourscore years. Of the fifty-nine graduates ten only are living, or were at the last accounts; one in six, very nearly. In the first ten years after graduation, our third decade, when we were between twenty and thirty years old, we lost three members,—about one in twenty; between the ages of thirty and forty, eight died,—one in seven of those the decade began with; from forty to fifty, only two,—or one in twenty-four; from fifty to sixty, eight,—or one in six; from sixty to seventy, fifteen,—or two out of every five; from seventy to eighty, twelve,—or one in two.
The greatly increased mortality which began with our seventh decade went on steadily increasing. Our eminent classmate, the late Professor Benjamin Peirce, showed by numerical comparison that the men of superior ability outlasted the average of their fellow-graduates. He himself lived a little beyond his threescore and ten years.
James Freeman Clarke almost reached the age of eighty. The eighth decade brought the fatal year for Benjamin Robbins Curtis, the great lawyer, who was one of the judges of the Supreme Court of the United States; for the very able chief justice of Massachusetts, George Tyler Bigelow; and for that famous wit and electric centre of social life, George T.
At the last annual dinner every effort was made to bring all the survivors of the class together. Among the six at our late dinner was our first scholar, the thorough-bred and accomplished engineer who held the city of Lawrence in his brain before it spread itself out along the banks of the Merrimac. Four of our six were clergymen; the engineer and the present writer completed the list.
Were we melancholy? Did we talk of graveyards and epitaphs? No,—we remembered our dead tenderly, serenely, feeling deeply what we had lost in those who but a little while ago were with us. How could we forget James Freeman Clarke, that man of noble thought and vigorous action, who pervaded this community with his spirit, and was felt through all its channels as are the light and the strength that radiate through the wires which stretch above us?
It was a pride and a happiness to have such classmates as he was to remember. We were not the moping, complaining graybeards that many might suppose we must have been. We had been favored with the blessing of long life. We had seen the drama well into its fifth act.
The sun still warmed us, the air was still grateful and life-giving. But there was another underlying source of our cheerful equanimity, which we could not conceal from ourselves if we had wished to do it. Nature's kindly anodyne is telling upon us more and more with every year.
Something like this is that potent drug in Nature's pharmacopoeia which she reserves for the time of need,—the later stages of life. More and more freely she gives it, as the years go on, to her grey-haired children, until, if they last long enough, every faculty is benumbed, and they drop off quietly into sleep under its benign influence. Do you say that old age is unfeeling? It has not vital energy enough to supply the waste of the more exhausting emotions.
Old Men's Tears, which furnished the mournful title to Joshua Scottow's Lamentations, do not suggest the deepest grief conceivable. A little breath of wind brings down the raindrops which have gathered on the leaves of the tremulous poplars. A very slight suggestion brings the tears from Marlborough's eyes, but they are soon over, and he is smiling again as an allusion carries him back to the days of Blenheim and Malplaquet.
Envy not the old man the tranquillity of his existence, nor yet blame him if it sometimes looks like apathy. Time, the inexorable, does not threaten him with the scythe so often as with the sand-bag. He does not cut, but he stuns and stupefies. One's fellow-mortals can afford to be as considerate and tender with him as Time and Nature. There was not much boasting among us of our present or our past, as we sat together in the little room at the great hotel.
A certain amount of self-deception is quite possible at threescore years and ten, but at three score years and twenty Nature has shown most of those who live to that age that she is earnest, and means to dismantle and have done with them in a very little while. As for boasting of our past, the laudator temporis acti makes but a poor figure in our time. Old people used to talk of their youth as if there were giants in those days.
We knew some tall men when we were young, but we can see a man taller than any one among them at the nearest dime museum. We had handsome women among us, of high local reputation, but nowadays we have professional beauties who challenge the world to criticise them as boldly as Phryne ever challenged her Athenian admirers. True, but there is a three-year-old colt just put on the track who has done it in a little more than two thirds of that time.
It seems as if the material world had been made over again since we were boys. It is but a short time since we were counting up the miracles we had lived to witness. The list is familiar enough: the railroad, the ocean steamer, photography, the spectroscope, the telegraph, telephone, phonograph, anesthetics, electric illumination,—with such lesser wonders as the friction match, the sewing machine, and the bicycle.
And now, we said, we must have come to the end of these unparalleled developments of the forces of nature. We must rest on our achievements. The nineteenth century is not likely to add to them; we must wait for the twentieth century.
Many of us, perhaps most of us, felt in that way. We had seen our planet furnished by the art of man with a complete nervous system: a spinal cord beneath the ocean, secondary centres,—ganglions,—in all the chief places where men are gathered together, and ramifications extending throughout civilization.
All at once, by the side of this talking and light-giving apparatus, we see another wire stretched over our heads, carrying force to a vast metallic muscular system,—a slender cord conveying the strength of a hundred men, of a score of horses, of a team of elephants. The lightning is tamed and harnessed, the thunderbolt has become a common carrier. No more surprises in this century! A voice whispers, What next?
It will not do for us to boast about our young days and what they had to show. It is a great deal better to boast of what they could not show, and, strange as it may seem, there is a certain satisfaction in it. In these days of electric lighting, when you have only to touch a button and your parlor or bedroom is instantly flooded with light, it is a pleasure to revert to the era of the tinder-box, the flint and steel, and the brimstone match.
It gives me an almost proud satisfaction to tell how we used, when those implements were not at hand or not employed, to light our whale-oil lamp by blowing a live coal held against the wick, often swelling our cheeks and reddening our faces until we were on the verge of apoplexy. I love to tell of our stage-coach experiences, of our sailing-packet voyages, of the semi-barbarous destitution of all modern comforts and conveniences through which we bravely lived and came out the estimable personages you find us.
Think of it! All my boyish shooting was done with a flint-lock gun; the percussion lock came to me as one of those new-fangled notions people had just got hold of. We ancients can make a grand display of minus quantities in our reminiscences, and the figures look almost as well as if they had the plus sign before them.
I am afraid that old people found life rather a dull business in the time of King David and his rich old subject and friend, Barzillai, who, poor man, could not have read a wicked novel, nor enjoyed a symphony concert, if they had had those luxuries in his day. There were no pleasant firesides, for there were no chimneys. There were no daily newspapers for the old man to read, and he could not read them if there were, with his dimmed eyes, nor hear them read, very probably, with his dulled ears.
There was no tobacco, a soothing drug, which in its various forms is a great solace to many old men and to some old women, Carlyle and his mother used to smoke their pipes together, you remember. Old age is infinitely more cheerful, for intelligent people at least, than it was two or three thousand years ago. It is our duty, so far as we can, to keep it so. There will always be enough about it that is solemn, and more than enough, alas! But how much there is in our times to lighten its burdens!
If they that look out at the windows be darkened, the optician is happy to supply them with eye-glasses for use before the public, and spectacles for their hours of privacy. If the grinders cease because they are few, they can be made many again by a third dentition, which brings no toothache in its train. By temperance and good Habits of life, proper clothing, well-warmed, well-drained, and well-ventilated dwellings, and sufficient, not too much exercise, the old man of our time may keep his muscular strength in very good condition.
I doubt if Mr. Gladstone, who is fast nearing his eightieth birthday, would boast, in the style of Caleb, that he was as good a man with his axe as he was when he was forty, but I would back him,—if the match were possible, for a hundred shekels, against that over-confident old Israelite, to cut down and chop up a cedar of Lebanon.
I know a most excellent clergyman, not far from my own time of life, whom I would pit against any old Hebrew rabbi or Greek philosopher of his years and weight, if they could return to the flesh, to run a quarter of a mile on a good, level track. We must not make too much of such exceptional cases of prolonged activity. I often reproached my dear friend and classmate, Tames Freeman Clarke, that his ceaseless labors made it impossible for his coevals to enjoy the luxury of that repose which their years demanded.
A wise old man, the late Dr. James Walker, president of Harvard University, said that the great privilege of old age was the getting rid of responsibilities. These hard-working veterans will not let one get rid of them until he drops in his harness, and so gets rid of them and his life together.
How often has many a tired old man envied the superannuated family cat, stretched upon the rug before the fire, letting the genial warmth tranquilly diffuse itself through all her internal arrangements! No more watching for mice in dark, damp cellars, no more awaiting the savage gray rat at the mouth of his den, no more scurrying up trees and lamp-posts to avoid the neighbor's cur who wishes to make her acquaintance!
It is natural enough to cling to life. We are used to atmospheric existence, and can hardly conceive of ourselves except as breathing creatures. We have never tried any other mode of being, or, if we have, we have forgotten all about it, whatever Wordsworth's grand ode may tell us we remember. Heaven itself must be an experiment to every human soul which shall find itself there. It may take time for an earthborn saint to become acclimated to the celestial ether,—that is, if time can be said to exist for a disembodied spirit.
We are all sentenced to capital punishment for the crime of living, and though the condemned cell of our earthly existence is but a narrow and bare dwelling-place, we have adjusted ourselves to it, and made it tolerably comfortable for the little while we are to be confined in it.
The prisoner of Chillon. On the other hand, a good many persons, not suicidal in their tendencies, get more of life than they want. One of our wealthy citizens said, on hearing that a friend had dropped off from apoplexy, that it made his mouth water to hear of such a case. It was an odd expression, but I have no doubt that the fine old gentleman to whom it was attributed made use of it. He had had enough of his gout and other infirmities. Swift's account of the Struldbrugs is not very amusing reading for old people, but some may find it a consolation to reflect on the probable miseries they escape in not being doomed to an undying earthly existence.
There are strange diversities in the way in which different old persons look upon their prospects. A millionaire whom I well remember confessed that he should like to live long enough to learn how much a certain fellow-citizen, a multimillionaire, was worth. One of the three nonagenarians before referred to expressed himself as having a great curiosity about the new sphere of existence to which he was looking forward.
The feeling must of necessity come to many aged persons that they have outlived their usefulness; that they are no longer wanted, but rather in the way, drags on the wheels rather than helping them forward. But let them remember the often-quoted line of Milton,.
This is peculiarly true of them. They are helping others without always being aware of it. They are the shields, the breakwaters, of those who come after them. Every decade is a defence of the one next behind it. At thirty the youth has sobered into manhood, but the strong men of forty rise in almost unbroken rank between him and the approaches of old age as they show in the men of fifty. At forty he looks with a sense of security at the strong men of fifty, and sees behind them the row of sturdy sexagenarians.
When fifty is reached, somehow sixty does not look so old as it once used to, and seventy is still afar off. After sixty the stern sentence of the burial service seems to have a meaning that one did not notice in former years. There begins to be something personal about it. But if one lives to seventy he soon gets used to the text with the threescore years and ten in it, and begins to count himself among those who by reason of strength are destined to reach fourscore, of whom he can see a number still in reasonably good condition.
The octogenarian loves to read about people of ninety and over. He peers among the asterisks of the triennial catalogue of the University for the names of graduates who have been seventy years out of college and remain still unstarred.
He is curious about the biographies of centenarians. Such escapades as those of that terrible old sinner and ancestor of great men, the Reverend Stephen Bachelder, interest him as they never did before. But he cannot deceive himself much longer. See him walking on a level surface, and he steps off almost as well as ever; but watch him coming down a flight of stairs, and the family record could not tell his years more faithfully. He cut you dead, you say? Did it occur to you that he could not see you clearly enough to know you from any other son or daughter of Adam?
He said he was very glad to hear it, did he, when you told him that your beloved grandmother had just deceased? Did you happen to remember that though he does not allow that he is deaf, he will not deny that he does not hear quite so well as he used to? No matter about his failings; the longer he holds on to life, the longer he makes life seem to all the living who follow him, and thus he is their constant benefactor.
Every stage of existence has its special trials and its special consolations. Habits are the crutches of old age; by the aid of these we manage to hobble along after the mental joints are stiff and the muscles rheumatic, to speak metaphorically,—that is to say, when every act of self-determination costs an effort and a pang. We become more and more automatic as we grow older, and if we lived long enough we should come to be pieces of creaking machinery like Maelzel's chess player,—or what that seemed to be.
It was early in life to feel that the productive stage was over, but he had received warning from within, and did not wish to wait for outside advices. There is all the difference in the world in the mental as in the bodily constitution of different individuals. We can get a useful lesson from the American and the English elms on our Common. The American elms are quite bare, and have been so for weeks. They know very well that they are going to have storms to wrestle with; they have not forgotten the gales of September and the tempests of the late autumn and early winter.
It is a hard fight they are going to have, and they strip their coats off and roll up their shirt-sleeves, and show themselves bare-armed and ready for the contest. The English elms are of a more robust build, and stand defiant, with all their summer clothing about their sturdy frames.
They may yet have to learn a lesson of their American cousins, for notwithstanding their compact and solid structure they go to pieces in the great winds just as ours do. We must drop much of our foliage before winter is upon us. We must take in sail and throw over cargo, if that is necessary, to keep us afloat. We have to decide between our duties and our instinctive demand of rest.
I can believe that some have welcomed the decay of their active powers because it furnished them with peremptory reasons for sparing themselves during the few years that were left them. Age brings other obvious changes besides the loss of active power.
The sensibilities are less keen, the intelligence is less lively, as we might expect under the influence of that narcotic which Nature administers. Old age is like an opium-dream. Nothing seems real except what is unreal. I am sure that the pictures painted by the imagination,—the faded frescos on the walls of memory,—come out in clearer and brighter colors than belonged to them many years earlier. Nature has her special favors for her children of every age, and this is one which she reserves for our second childhood.
No man can reach an advanced age without thinking of that great change to which, in the course of nature, he must be so near. It has been remarked that the sterner beliefs of rigid theologians are apt to soften in their later years. All reflecting persons, even those whose minds have been half palsied by the deadly dogmas which have done all they could to disorganize their thinking powers,—all reflecting persons, I say, must recognize, in looking back over a long life, how largely their creeds, their course of life, their wisdom and unwisdom, their whole characters, were shaped by the conditions which surrounded them.
Little children they came from the hands of the Father of all; little children in their helplessness, their ignorance, they are going back to Him. They cannot help feeling that they are to be transferred from the rude embrace of the boisterous elements to arms that will receive them tenderly. Poor planetary foundlings, they have known hard treatment at the hands of the brute forces of nature, from the control of which they are soon to be set free.
There are some old pessimists, it is true, who believe that they and a few others are on a raft, and that the ship which they have quitted, holding the rest of mankind, is going down with all on board. It is no wonder that there should be such when we remember what have been the teachings of the priesthood through long series of ignorant centuries.
Every age has to shape the Divine image it worships over again,—the present age and our own country are busily engaged in the task at this time. We unmake Presidents and make new ones. This is an apprenticeship for a higher task. Our doctrinal teachers are unmaking the Deity of the Westminster Catechism and trying to model a new one, with more of modern humanity and less of ancient barbarism in his composition.
If Jonathan Edwards had lived long enough, I have no doubt his creed would have softened into a kindly, humanized belief. Some twenty or thirty years ago, I said to Longfellow that certain statistical tables I had seen went to show that poets were not a long-lived race. He doubted whether there was anything to prove they were particularly short-lived. Soon after this, he handed me a list he had drawn up. I cannot lay my hand upon it at this moment, but I remember that Metastasio was the oldest of them all.
He died at the age of eighty-four. I have had some tables made out, which I have every reason to believe are correct so far as they go. From these, it appears that twenty English poets lived to the average age of fifty-six years and a little over. The eight American poets on the list averaged seventy-three and a half, nearly, and they are not all dead yet. The list including Greek, Latin, Italian, and German poets, with American and English, gave an average of a little over sixty-two years.
Our young poets need not be alarmed. They can remember that Bryant lived to be eighty-three years old, that Longfellow reached seventy-five and Halleck seventy-seven, while Whittier is living at the age of nearly eighty-two. Tennyson is still writing at eighty, and Browning reached the age of seventy-seven.
Shall a man who in his younger days has written poetry, or what passed for it, continue to attempt it in his later years? Certainly, if it amuses or interests him, no one would object to his writing in verse as much as he likes. Whether he should continue to write for the public is another question. Poetry is a good deal a matter of heart-beats, and the circulation is more languid in the later period of life. It has lost the flexibility, the plastic docility, which it had in youth and early manhood, when the gristle had but just become hardened into bone.
It is the nature of poetry to writhe itself along through the tangled growths of the vocabulary, as a snake winds through the grass, in sinuous, complex, and unexpected curves, which crack every joint that is not supple as india-rubber. I had a poem that I wanted to print just here. But after what I have this moment said, I hesitated, thinking that I might provoke the obvious remark that I exemplified the unfitness of which I had been speaking.
I remembered the advice I had given to a poetical aspirant not long since, which I think deserves a paragraph to itself. My friend, I said, I hope you will not write in verse. When you write in prose you say what you mean. When you write in rhyme you say what you must.
All at once, my daimon—that other Me over whom I button my waistcoat when I button it over my own person—put it into my head to look up the story of Madame Saqui. She was a famous danseuse, who danced Napoleon in and out, and several other dynasties besides. Her last appearance was at the age of seventy-six, which is rather late in life for the tight rope, one of her specialties.
Jules Janin mummified her when she died in , at the age of eighty. He spiced her up in his eulogy as if she had been the queen of a modern Pharaoh. It must be premised that a very beautiful loving cup was presented to me on my recent birthday, by eleven ladies of my acquaintance. This was the most costly and notable of all the many tributes I received, and for which in different forms I expressed my gratitude.
After the reading of the paper which was reported in the preceding number of this record, the company fell into talk upon the subject with which it dealt. The Mistress. Surely the thoughts of aged persons must be very much taken up with the question of what is to become of them.
I should like to have The Dictator explain himself a little more fully on this point. My dear madam, I said, it is a delicate matter to talk about. You remember Mr. Calhoun's response to the advances of an over-zealous young clergyman who wished to examine him as to his outfit for the long journey. I think the relations between man and his Maker grow more intimate, more confidential, if I may say so, with advancing years.
The old man is less disposed to argue about special matters of belief, and more ready to sympathize with spiritually minded persons without anxious questioning as to the fold to which they belong. That kindly judgment which he exercises with regard to others he will, naturally enough, apply to himself.
The caressing tone in which the Emperor Hadrian addresses his soul is very much like that of an old person talking with a grandchild or some other pet:. More and more the old man finds his pleasures in memory, as the present becomes unreal and dreamlike, and the vista of his earthly future narrows and closes in upon him. At last, if he live long enough, life comes to be little more than a gentle and peaceful delirium of pleasing recollections.
To say, as Dante says, that there is no greater grief than to remember past happiness in the hour of misery is not giving the whole truth. In the midst of the misery, as many would call it, of extreme old age, there is often a divine consolation in recalling the happy moments and days and years of times long past.
So beautiful are the visions of bygone delight that one could hardly wish them to become real, lest they should lose their ineffable charm. Spread your wings and leave me. So shall you enter that world of memory where all is lovely. I shall not hear the sound of your footsteps any more, but you will float before me, an aerial presence. I shall not hear any word from your lips, but I shall have a deeper sense of your nearness to me than speech can give.
I shall feel, in my still solitude, as the Ancient Mariner felt when the seraph band gathered before him:. I said that the lenient way in which the old look at the failings of others naturally leads them to judge themselves more charitably. They find an apology for their short-comings and wrong-doings in another consideration. They know very well that they are not the same persons as the middle-aged individuals, the young men, the boys, the children, that bore their names, and whose lives were continuous with theirs.
Here is an old man who can remember the first time he was allowed to go shooting. What a remorseless young destroyer he was, to be sure! Wherever he saw a feather, wherever a poor little squirrel showed his bushy tail, bang! Now that same old man,—the mortal that was called by his name and has passed for the same person for some scores of years,—is considered absurdly sentimental by kind-hearted women, because he opens the fly-trap and sets all its captives free,—out-of-doors, of course, but the dear souls all insisting, meanwhile, that the flies will, every one of them, be back again in the house before the day is over.
Do you suppose that venerable sinner expects to be rigorously called to account for the want of feeling he showed in those early years, when the instinct of destruction, derived from his forest-roaming ancestors, led him to acts which he now looks upon with pain and aversion? He knows that if such or such a young fellow had lived to the next stage of life he would very probably have caught up with his mother's virtues, which, like a graft of a late fruit on an early apple or pear tree, do not ripen in her children until late in the season.
He has seen the successive ripening of one quality after another on the boughs of his own life, and he finds it hard to condemn himself for faults which only needed time to fall off and be succeeded by better fruitage. I cannot help thinking that the recording angel not only drops a tear upon many a human failing, which blots it out forever, but that he hands many an old record-book to the imp that does his bidding, and orders him to throw that into the fire instead of the sinner for whom the little wretch had kindled it.
Number Five has a very sweet voice. The moment she speaks all the faces turn toward her. I don't know what its secret is, but it is a voice that makes friends of everybody. The sweet voice left a trance-like silence after it, which may have lasted twenty heart-beats. Then I said, We all thank you for your charming quotation. I hope I am quoting correctly, but I am more of a scholar in Wordsworth than in Byron.
Was Parson Young's own heart such a hideous spectacle to himself? If it was, he had better have stripped off his surplice. No,—it was nothing but the cant of his calling. In Byron it was a mood, and he might have said just the opposite thing the next day, as he did in his two descriptions of the Venus de' Medici. That picture of old Matthew abides in the memory, and makes one think better of his kind. What nobler tasks has the poet than to exalt the idea of manhood, and to make the world we live in more beautiful?
We have two or three young people with us who stand a fair chance of furnishing us the element without which life and tea-tables alike are wanting in interest. We are all, of course, watching them, and curious to know whether we are to have a romance or not. Here is one of them; others will show themselves presently. I cannot say just how old the Tutor is, but I do not detect a gray hair in his head. My sight is not so good as it was, however, and he may have turned the sharp corner of thirty, and even have left it a year or two behind him.
More probably he is still in the twenties,—say twenty-eight or twenty-nine. He seems young, at any rate, excitable, enthusiastic, imaginative, but at the same time reserved. I am afraid that he is a poet. I may take another opportunity to explain and justify it; I will only say now that I consider the Muse the most dangerous of sirens to a young man who has his way to make in the world.
Now this young man, the Tutor, has, I believe, a future before him. He was born for a philosopher,—so I read his horoscope,—but he has a great liking for poetry and can write well in verse. We have had a number of poems offered for our entertainment, which I have commonly been requested to read.
There has been some little mystery about their authorship, but it is evident that they are not all from the same hand. Poetry is as contagious as measles, and if a single case of it break out in any social circle, or in a school, there are certain to be a number of similar cases, some slight, some serious, and now and then one so malignant that the subject of it should be put on a spare diet of stationery, say from two to three penfuls of ink and a half sheet of notepaper per diem.
If any of our poetical contributions are presentable, the reader shall have a chance to see them. It must be understood that our company is not invariably made up of the same persons. The Mistress, as we call her, is expected to be always in her place.
I make it a rule to be present. The Professor is almost as sure to be at the table as I am. We should hardly know what to do without Number Five. It takes a good deal of tact to handle such a little assembly as ours, which is a republic on a small scale, for all that they give me the title of Dictator, and Number Five is a great help in every social emergency. She sees when a discussion tends to become personal, and heads off the threatening antagonists.
She knows when a subject has been knocking about long enough and dexterously shifts the talk to another track. It is true that I am the one most frequently appealed to as the highest tribunal in doubtful cases, but I often care more for Number Five's opinion than I do for my own.
Who is this Number Five, so fascinating, so wise, so full of knowledge, and so ready to learn? She is suspected of being the anonymous author of a book which produced a sensation when published, not very long ago, and which those who read are very apt to read a second time, and to leave on their tables for frequent reference. But we have never asked her.
I do not think she wants to be famous. How she comes to be unmarried is a mystery to me; it must be that she has found nobody worth caring enough for. I wish she would furnish us with the romance which, as I said, our tea-table needs to make it interesting. Perhaps the new-comer will make love to her,—I should think it possible she might fancy him.
And who is the new-comer? He is a Counsellor and a Politician. Has a good war record. Is about forty-five years old, I conjecture. Is engaged in a great law case just now. Said to be very eloquent. Has an intellectual head, and the bearing of one who has commanded a regiment or perhaps a brigade.
Altogether an attractive person, scholarly, refined has some accomplishments not so common as they might be in the class we call gentlemen, with an accent on the word. There is also a young Doctor, waiting for his bald spot to come, so that he may get into practice. We have two young ladies at the table,—the English girl referred to in a former number, and an American girl of about her own age.
They seem to be good friends, and form a very pleasing pair when they walk in arm in arm; nearly enough alike to seem to belong together, different enough to form an agreeable contrast. Of course we were bound to have a Musician at our table, and we have one who sings admirably, and accompanies himself, or one or more of our ladies, very frequently. Such is our company when the table is full.
But sometimes only half a dozen, or it may be only three or four, are present. At other times we have a visitor or two, either in the place of one of our habitual number, or in addition to it. It is a point of etiquette with us not to press our inquiries about these anonymous poems too sharply, especially if any of them betray sentiments which would not bear rough handling.
I don't doubt that the different personalities at our table will get mixed up in the reader's mind if he is not particularly clear-headed. That happens very often, much oftener than all would be willing to confess, in reading novels and plays. I am afraid we should get a good deal confused even in reading our Shakespeare if we did not look back now and then at the dramatis personae. I am sure that I am very apt to confound the characters in a moderately interesting novel; indeed, I suspect that the writer is often no better off than the reader in the dreary middle of the story, when his characters have all made their appearance, and before they have reached near enough to the denoument to have fixed their individuality by the position they have arrived at in the chain of the narrative.
I am not quite sure that I remember. You cannot forget who Number Seven is if I inform you that he specially prides himself on being a seventh son of a seventh son. The fact of such a descent is supposed to carry wonderful endowments with it. Number Seven passes for a natural healer. He is looked upon as a kind of wizard, and is lucky in living in the nineteenth century instead of the sixteenth or earlier. How much confidence he feels in himself as the possessor of half-supernatural gifts I cannot say.
I think his peculiar birthright gives him a certain confidence in his whims and fancies which but for that he would hardly feel. The company are very frank in their criticisms of each other. Ah, my dear madam, I answered, I was thinking of the elements and the natural forces to which man was born an almost helpless subject in the rudimentary stages of his existence, and from which he has only partially got free after ages upon ages of warfare with their tyranny.
Think what hunger forced the caveman to do! Think of the surly indifference of the storms that swept the forest and the waters, the earthquake chasms that engulfed him, the inundations that drowned him out of his miserable hiding-places, the pestilences that lay in wait for him, the unequal strife with ferocious animals! How about the miserable Indians? Were they anything but planetary foundlings? Civilization is a great foundling hospital, and fortunate are all those who get safely into the creche before the frost or the malaria has killed them, the wild beasts or the venomous reptiles worked out their deadly appetites and instincts upon them.
If you do not like the expression planetary foundlings, I have no objection to your considering the race as put out to nurse. And what a nurse Nature is! She gives her charge a hole in the rocks to live in, ice for his pillow and snow for his blanket, in one part of the world; the jungle for his bedroom in another, with the tiger for his watch-dog, and the cobra as his playfellow. Well, I said, there may be other parts of the universe where there are no tigers and no cobras.
It is not quite certain that such realms of creation are better off, on the whole, than this earthly residence of ours, which has fought its way up to the development of such centres of civilization as Athens and Rome, to such personalities as Socrates, as Washington.
Number Five colored. I had been reading a number of books about an ideal condition of society,—Sir Thomas Mores 'Utopia,' Lord Bacon's 'New Atlantis,' and another of more recent date. I went to bed with my brain a good deal excited, and fell into a deep slumber, in which I passed through some experiences so singular that, on awaking, I put them down on paper.
I don't know that there is anything very original about the experiences I have recorded, but I thought them worth preserving. Perhaps you would not agree with me in that belief. It cost me a great effort to set down the words of the manuscript from which I am reading. My dreams for the most part fade away so soon after their occurrence that I cannot recall them at all. But in this case my ideas held together with remarkable tenacity.
By keeping my mind steadily upon the work, I gradually unfolded the narrative which follows, as the famous Italian antiquary opened one of those fragile carbonized manuscripts found in the ruins of Herculaneum or Pompeii. The first thing I remember about it is that I was floating upward, without any sense of effort on my part.
The feeling was that of flying, which I have often had in dreams, as have many other persons. It was the most natural thing in the world,—a semi-materialized volition, if I may use such an expression. At the first moment of my new consciousness,—for I seemed to have just emerged from a deep slumber, I was aware that there was a companion at my side. Nothing could be more gracious than the way in which this being accosted me. I will speak of it as she, because there was a delicacy, a sweetness, a divine purity, about its aspect that recalled my ideal of the loveliest womanhood.
Some faculty of which I had never before been conscious had awakened in me, and I needed no interpreter to explain the unspoken language of my celestial attendant. We have plenty of what you call time before us, and we will take our voyage leisurely, looking at such objects of interest as may attract our attention as we pass. The first thing you will naturally wish to look at will be the earth you have just left.
The great globe we had left was rolling beneath us. No eye of one in the flesh could see it as I saw or seemed to see it. No ear of any mortal being could bear the sounds that came from it as I heard or seemed to hear them. The broad oceans unrolled themselves before me. I could recognize the calm Pacific and the stormy Atlantic,—the ships that dotted them, the white lines where the waves broke on the shore,—frills on the robes of the continents,—so they looked to my woman's perception; the—vast South American forests; the glittering icebergs about the poles; the snowy mountain ranges, here and there a summit sending up fire and smoke; mighty rivers, dividing provinces within sight of each other, and making neighbors of realms thousands of miles apart; cities; light-houses to insure the safety of sea-going vessels, and war-ships to knock them to pieces and sink them.
All this, and infinitely more, showed itself to me during a single revolution of the sphere: twenty-four hours it would have been, if reckoned by earthly measurements of time. I have not spoken of the sounds I heard while the earth was revolving under us.
The howl of storms, the roar and clash of waves, the crack and crash of the falling thunderbolt,—these of course made themselves heard as they do to mortal ears. But there were other sounds which enchained my attention more than these voices of nature. As the skilled leader of an orchestra hears every single sound from each member of the mob of stringed and wind instruments, and above all the screech of the straining soprano, so my sharpened perceptions made what would have been for common mortals a confused murmur audible to me as compounded of innumerable easily distinguished sounds.
Above them all arose one continued, unbroken, agonizing cry. It was the voice of suffering womanhood, a sound that goes up day and night, one long chorus of tortured victims. Presently the gilded dome of the State House, which marked our starting-point, came into view for the second time, and I knew that this side-show was over. I bade farewell to the Common with its Cogswell fountain, and the Garden with its last awe-inspiring monument.
When the string is cut you can be where you wish to be,—not merely a part of you, leaving the rest behind, but the whole of you. Why shouldn't you want to revisit your old home sometimes? I was astonished at the human way in which my guide conversed with me.
It was always on the basis of my earthly habits, experiences, and limitations. There is your moon: a bare and desolate-looking place it is, and well it may be, for it has no respirable atmosphere, and no occasion for one. The Lunites do not breathe; they live without waste and without supply.
You look as if you do not understand this. Yet your people have, as you well know, what they call incandescent lights everywhere. You would have said there can be no lamp without oil or gas, or other combustible substance, to feed it; and yet you see a filament which sheds a light like that of noon all around it, and does not waste at all. So the Lunites live by influx of divine energy, just as the incandescent lamp glows,—glows, and is not consumed; receiving its life, if we may call it so, from the central power, which wears the unpleasant name of 'dynamo.
The Lunites appeared to me as pale phosphorescent figures of ill-defined outline, lost in their own halos, as it were. I could not help thinking of Shelley's. But as the Lunites were after all but provincials, as are the tenants of all the satellites, I did not care to contemplate them for any great length of time. I do not remember much about the two planets that came next to our own, except the beautiful rosy atmosphere of one and the huge bulk of the other.
Presently, we found ourselves within hailing distance of another celestial body, which I recognized at once, by the rings which girdled it, as the planet Saturn. A dingy, dull-looking sphere it was in its appearance. The easy, familiar way in which she spoke surprised and pleased me.
Why, said I,—The Dictator,—what is there to prevent beings of another order from being as cheerful, as social, as good companions, as the very liveliest of God's creatures whom we have known in the flesh? Is it impossible for an archangel to smile? Is such a phenomenon as a laugh never heard except in our little sinful corner of the universe? Do you suppose, that when the disciples heard from the lips of their Master the play of words on the name of Peter, there was no smile of appreciation on the bearded faces of those holy men?
From any other lips we should have called this pleasantry a—. We don't call things by the names that belong to them when we deal with celestial subjects. We tied up, as my attendant playfully called our resting, so near the planet that I could know—I will not say see and hear, but apprehend—all that was going on in that remote sphere; remote, as we who live in what we have been used to consider the centre of the rational universe regard it.
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Art Floral. Flower Designs. Shabby Chic. High Tea. Spring Wedding. Garden Wedding. Afternoon Tea. Flower Arrangement. SUCH a cute idea for centerpieces!!!! My Flower. Purple Flowers. Lavender Flowers. Lavender Bouquet. Lavender Blue. Pink Tulips. All Things Purple. Des fleurs violettes. Diy Planters. Garden Planters. Planter Ideas. Potted Garden. Decorative Planters. Garden Crafts. Garden Projects.
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Children - make sure you have an adult to do this bit for you. As you can see we actually did this indoors but we found it to be VERY messy! It could be a good idea to move outside if the weather is nice or lay down a lot of newspaper. Make sure you're in a well lit room so you can clearly see what you're doing and have everything laid out ready to go.
You will need to create small holes at the bottom of your teacups so the water can drain out. We advise practicing on an old mug first to see if you have the right drill bit and to have a go. Before we did any drilling we marked a hole to indicate where to drill where to drill on the practice mug. With successful practice and confident that we knew how to drill the holes and that the drill bit would work it was time to mark and drill the teacups that we intended to actually use for planters.
With the cups lined up ready to go, once again we started to drill just as we had done with the practice mug. This is where we came across our first problem It did no more than scratch the surface of the ceramic mugs so we had to stop and come up with a new plan.
Most DIY stores sell a bit specifically designed for drilling holes in ceramic or tiles. We didn't know this when we started we're not experienced when it comes to DIY but we managed to source one and it worked like a charm. At this point provided you have the right tools! It turns out they are definitely not as easy to drill as the cups.
The shape made it awkward to drill and when we put some pressure on to drill through Just shows that you have to be really careful when doing this! We did of course get creative with some scotch tape and managed to salvage the situation. Now it's time to plant your flowers and this is when it gets really messy! Pick your first flower.
Take it out of the container and tease the roots out. Plant the flower into your chosen teacup. We tried to match our flowers nicely with the colours of the cups. Add in more compost to make sure the teacup is full. This can be quite tricky as there isn't much space in a teacup and you will probably end up with soil spilling out. It turns out the teapot is actually really difficult to do this with!
The narrow opening at the top made it tricky to get the plant in and even trickier to then pack with soil. With everything planted up, the cups and teapot were pretty messy with soil all over the outside. We found a paintbrush helped to brush away all the soil and clean things up a bit. Once your Teacup and Teapot Planters are wiped down then you're ready to take lots of nice pics, find a nice sunny spot for your planters to live, and keep them well-watered.
We hope you enjoyed this post! Go on, have a a go at making your very own Teacup and Teapot Planters! Don't forget to share your pretty pics with us over Facebook , Instagram and Twitter. Imagery, information, ideas, influencers? Please contact pr tigersheds. If we didn't build it, we don't sell it. We're proud to say that every garden building is made in our own mill in Leeds. This gives us complete control over the manufacturing, from start to finish, so we can ensure only top-grade timber makes the cut.
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