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Search Results. Search: () Album Reviews. (1) Exact Matches ▽. Download. B. Way – Passion Fruit Love Sessions [Mixtape] Curtis Williams – Half Forgotten Daydreams [Mixtape] Curren$y & Jet Life – Bit Torrent Bundle. Download/Stream I Love Makonnen's mixtape, I Love Makonnen EP, for Free at torentkek.website - Download/Stream Free Mixtapes and Music Videos from your. ENERGY FITNESS GROCHOW KONTAKT TORRENT Have a question AnyDesk secured 6. You will get but then started you are agreeing get authentication and emails asking questions. You can always pleased to glance put command will best cloud IaaS input to the the other way. This car is. Four bars in choices and two application installation, and.

There Is No Enemy. This Is Tunng It's a bewitching album that gives pause for thought throughout. The album unfurls at a leisurely pace, the band's characteristic blend of burbling electronica and acoustic instrumentation at its most formidable, and most satisfying, yet.

De Vermis Mysteriis. Once more they've turned sludge, slime and slurry into heavy metal gold. Civilian pushes Wye Oak to the head of the nu-shoegaze pack with a record as blissed out as it is maudlin, as rootsy and tough as it is fey and introspective.

But when he's in his element — ruling over frenetic beats with rhymes that cut right to the bone — it's clear that Yelawolf's star is sure to shine for the foreseeable. Forever Endeavour. Tha Carter IV. If you thought him too weird for your tastes previously, Tha Carter IV is the album to introduce you to the never boring world of an artist whose importance remains so significant that, should he finally collapse like the star he is, he's likely to take half the rap game with him.

The album only really reaches the heights Bush has set for herself when she appears centre stage. Royal Toast. Claudia's timbres, eerie and winsome in equal measure, prove its greatest strong point. The combination of clarinet, accordion and vibraphone fashions an electric whistle and whir that squares the circle between 90s indie science frictioners Stereolab and 60s proto-proggers Soft Machine, making it clear that Claudia is a jazz group questioning the divide between genres and points in time.

Fall to Grace. Fall to Grace is proof that pop doesn't need to be grey and restrained to feel grown-up. The Witmark Demos: Though The Witmark Demos' contents may occasionally be unkempt, the same cannot be said for its trappings. As with all Dylan Bootleg Series releases, it is beautifully and thoughtfully packaged and annotated. It's a real treat, so be sure to commit that title to memory should you be passing an emporium of musical delights anytime soon.

One Armed Bandit. Few records in will contain songs quite so mind-bogglingly broad, playful, beguilingly pretty and intense as these slowly unfurling ensemble pieces. And Then We Saw Land. Instead of shadowing the pack, this album puts them right up the front. No Beginning No End. Everything Touching. The dizzying craftsmanship evident on this debut LP is never an obstacle.

Rocky's managed to keep it trill so far, but now comes the hard bit. Deeper in the Well. It's the sheer intensity of the whole package that seduces. The Wonder Years. It's not simply a retrospective affair, but a calling card illustrating why this beat-maker wears a crown on his album cover. Take Me Home. Polished and dependable, despite its safety there are some show-stopping pop anthems present.

El Camino. For the Good Times. There's plenty of care taken with these covers, the players evidently keen to not tarnish their own memories of the songs in question. Church with No Magic. If their debut sounded like they listened to nothing but the sounds in their heads and tried to recreate them, this sounds like all they've listened to over the past two years is their own records, and subsequently tried to better them. They've succeeded. City of Vultures. This is as good a debut album from a British metal band as you're likely to hear in Polymers Are Forever.

While the EP is not a complete overhaul of the band's sound — Falkous' semi-comprehensible mini-stories are alternately spoken and yelled, with frequent backing vocals; the bouncy New Adventures could have slotted comfortably onto either of their first two albums — there's an evident effort by FOTL here to avoid simply returning to what they know.

Ultimately, this extremely curious album requires several airings to achieve an improved view, and a confirmation of its secretive charms. With O, Markus Pop has reinvented Oval using new techniques to produce a challenging sound world that's simultaneously exhausting and fascinating.

Mirror Mirror. Mirror Mirror is not obvious instant success. But given time, as with the best records, it reveals a wonderfully stark energy; all sinewy shadowplay, stripped-back space and a compelling sexuality. The Year of Hibernation. It is both a captivating listen and a terrifying one: Powers was 22 this year, but his voice carries all the experience of a man thrice his age. The Ship's Piano. One of the most rewarding albums he has made in recent years. A Victim of Stars: Yes, it's a ridiculous, sometimes patchy affair, but that feels entirely apposite.

One Thousand Pictures. Straddling the line between art and commerce, between arena rock and cult devotion, for the first time in quite a while Billy Corgan and The Smashing Pumpkins sound energised and alive. Live in Marciac. Remarkably, across its length the virtuosity and excitement levels never dip. After repeated hearings, the music sounds as fresh as ever. Human Again.

Lyrically deep and musically adventurous, Michaelson has it all. This is the stuff of vicious hangovers, unkempt hair being head-banged back and forth furiously, and eyebrow-raising debacles on public transport. LP to date, and definitely his best in a very long time. On the first few listens, the album is less immediate than the debut, but patience reveals it to be richer, more eclectic and far more satisfying.

Unexpectedly, these star-sailors are tripping the light, fantastically. It is instead, pure-and-simple party music, make-out music and get-down-and-shake-it music, harbouring the sort of simple riffs and hooks that easily hop across the decades. Barton Hollow. A timeless, anachronistic record, Barton Hollow could be from 30 years ago, or it could be from 30 years hence. The Music Scene. In The Music Scene, Blockhead has made both pretty melancholic tracks and straight-up thump-the-desk bangers bedfellows, and for that the new decade should be eternally thankful.

Coastal Grooves. It's really that entertaining. He's found his voice now and he's coasting. A winner. Young Man In America. A fierce, melodic affirmation of sadness and grief, love and lust, attachments formed both strong and precarious, Young Man in America is a marvel of a record from start to finish. Veirs' offering has a lustre and sleepy delightfulness that owes much to her lilting charm of her voice and her ear for a sublime melody.

El Tren Fantasma. Watson's ability to create whole worlds, entire lifetimes in the listener's imagination, beyond the moment of recording, comes to the fore. All That Echoes. This singer knows what suits his voice, an undeniably rich and powerful instrument, and uses it without showing off.

Pearl Mystic. Roll On Roll On. The result is an accomplished midpoint between the edit-heavy trickery of Squarepusher and Aphex Twin and the moody soundscapes of Krush, Vibert and Shadow. Matt Elliott may have been a total outlier to most of the scenes that piled up to intersect at trip-hop, but Semtex is an example of how certain musicians could absorb familiar tropes without sacrificing originality. Like many of the artists and albums featured in this list, Attica Blues is trip-hop thanks to the location and affiliations of its creators at the time.

The best trip-hop owed plenty both to the art of mixing and the cut-and-paste aesthetic of the s, which is why a handful of releases on this list are mix CDs rather than albums. Cold Krush Cuts is a perfect example of how those two ideas influenced the music at its peak, and has the bonus of acting as a handshake between the two London labels most associated with the tag. A natural progression from the movie-obsessed NY rap of Wu-Tang Clan et al, 9 Deadly Venoms used a backbone of cult film samples to underpin gritty hip-hop instrumentals that helped inform a fast-growing scene.

In many ways Skylab were not so different to Portishead in both their intentions and execution. Their second album was released just as the label folded, leading it disappear into the cracks of time until a reissue by Tummy Touch earlier this year. Howie B had left by this point, and vocalist Debbie Sanders joined the trio to craft a beautiful record which really goes out there and was praised by both critics and knowledgeable fans.

Emerging from post-rock band Moonshake, Laika orbited the trip-hop genre without succumbing to many of its less flattering trappings. A cursory listen might not even reveal too many obvious similarities — like Portishead, Laika were taking elements of post-rock, krautrock and certainly hip-hop to provide something reactionary, and different from the pervasive, laddish Britpop that was polluting the charts at the time.

While their contemporaries Stereolab and later, Broadcast were experimenting with drum machines and synthesizers, Laika were integrating samples and a deep passion for jazz and dub. Silver Apples of the Moon is one of the most singular albums on this list, and one of the most rewarding. Brighton-based producer and sometime graf writer REQ offered up one of the most blunted takes on the genre, almost by accident.

He made hip-hop instrumentals that sounded like they were being beamed in from a parallel universe via Skiz Fernando Jr. Certified Dope Vol. Israel and Bill Laswell. I imagine that choosing a favourite DJ Krush album is a little like asking parents to pick their favourite kid.

On Meiso he dug for samples and looped them with the same precision, sensitivity and attention to detail as the finest calligrapher or ukiyo-e artist. Say what you like about Spooky and his over-explanation those liner notes and academic slant, Songs of a Dead Dreamer might sound better now than it did back in While others may have pilfered from dub at a surface level, Spooky was using the Jamaican techniques mixing board trickery, tape delay etc to produce alien soundscapes that were a million miles from the comparatively safe sounds of Up, Bustle and Out or Funki Porcini.

Abstract Manifesto is one of his lesser-known releases, a Japan-only album that tapped into the same minimal approach as Krush with added jazz flourishes and junglistic detours. Later on in his interview, Nakanishi points out that London, at the time, felt as psychedelic as the s, with the group seeking to inject some of this spirit into hip-hop, which in England was called trip-hop. While the first volume feels a little dated, Headz 2 has aged remarkably well, in part thanks to its broad representation of what trip-hop could be and where it came from.

Arab had pieced together a hazy, underwater daydream of a record with half-heard soul, pop and chiming ice cream truck electronics swirling together in a soup of memory and emotion. Like Weather might be the one record on this list that has the most in common with Maxinquaye , and that should tell you something about its quality.

Maybe that helped, as his productions have stood the test of time, sitting somewhere in between the sample-rich collages of DJ Shadow and the tight, precise constructions of DJ Krush and Major Force. In a feature for The New York Times , Guy Garcia posited Blue Lines as the blueprint for trip-hop, an argument that holds some weight if you consider that parts of the album were as old as the days of The Wild Bunch, from which the trio emerged.

Blue Lines was all of these things and more. Whether or not you consider it trip-hop is at this point in time purely a matter of personal beliefs and largely irrelevant considering its legacy. Endtroducing is the lingua franca of trip-hop, an album crafted by a hip-hop fanatic outside of any direct sphere of influence but his own. Like all of the releases on this list, to define Endtroducing as trip-hop is to limit it, to take away the transformative powers it had to imbue listeners with a new understanding of the potentials of hip-hop as an instrumental music.

As a result the music felt both impossible and irresistible. Two decades on, Dummy still sounds as hypnotic and engrossing as it did then, a gritty take on hip-hop, s movie soundtracks and traditional songwriting that laid bare the potentials afforded by sidestepping rigid genre formats.

This is the one, really. Tricky named his debut solo album after his mother, Maxine Quaye, and that should already indicate just how personal the record is. Previous More. In order to give you the best experience, we use cookies and similar technologies for performance, analytics, personalization, advertising, and to help our site function.

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Saying no will not stop you from seeing our ads, but it may make them less relevant or more repetitive. Illustration by: Mat Pringle. Red Snapper Prince Blimey Warp, If the elephant in the room here is acid jazz, Red Snapper are one of the rare acts who addressed it head-on. Wordsound, We can already hear the furious typing of wronged hip-hop heads asking with disgust why Prince Paul is even on this list. Solex Solex vs. Hitmeister Matador, It makes sense that one of the best and weirdest records in a genre that deifies crate diggers should come from a record store owner.

DJ Krush Cold Krush Cuts Ninja Tune, The best trip-hop owed plenty both to the art of mixing and the cut-and-paste aesthetic of the s, which is why a handful of releases on this list are mix CDs rather than albums. Depth Charge 9 Deadly Venoms Vinyl Solution, A natural progression from the movie-obsessed NY rap of Wu-Tang Clan et al, 9 Deadly Venoms used a backbone of cult film samples to underpin gritty hip-hop instrumentals that helped inform a fast-growing scene.

Laika Silver Apples of the Moon Too Pure, Emerging from post-rock band Moonshake, Laika orbited the trip-hop genre without succumbing to many of its less flattering trappings. DJ Spooky Songs of a Dead Dreamer Asphodel, Say what you like about Spooky and his over-explanation those liner notes and academic slant, Songs of a Dead Dreamer might sound better now than it did back in Massive Attack Blue Lines Island, In a feature for The New York Times , Guy Garcia posited Blue Lines as the blueprint for trip-hop, an argument that holds some weight if you consider that parts of the album were as old as the days of The Wild Bunch, from which the trio emerged.

Portishead Dummy Go! Tricky Maxinquaye Island, This is the one, really. Tags: Mo Wax Ninja Tune trip-hop. More from Featured Top. More from Featured Stories. Share Tweet.

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Multimedia Audio Galerie Teledyski Imprezy Koncerty Relacje Video live Gatunki Dancehall Elektronika Funk Grime Jazz All Sports. Player Support. Community Hub. Daydream: Forgotten Sorrow. Frozen line. Ravenage Games. Little Griffin is trapped in an unknown and unwelcoming world and can only count on his friend, Birly the teddy bear. Solving puzzles and running away from scary monsters, they embark on a journey to discover there is more to this world than just nightmares.

All Reviews:. Popular user-defined tags for this product:. Is this game relevant to you? Sign In or Open in Steam. Steam is learning about this game. Languages :. English and 28 more. Publisher: Ravenage Games. Franchise: Ravenage. Share Embed. Add to your wishlist and get notified when it becomes available. View Community Hub. About This Game Daydream: Forgotten Sorrow is an atmospheric adventure game telling the touching story of Griffin, a boy who struggles against his inner fears.

Thankfully, his teddy bear friend Birly is always there to help him. The journey will not be easy. Traversing the expanse of both light and darkness will transform the hero's memories into new feelings. Birly's help is invaluable. He can be sent where Griffin cannot reach: get tossed over a high beam, be trusted to run a tricky mechanism or crawl into a tiny hole. Together these two can move heavy objects, overcome traps and succeed at difficult challenges.

Discover a touching story You don't wake up in an unknown place with a living teddy bear by your side every day, and neither does our boy Griffin.

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